Search results
Results from the WOW.Com Content Network
It was founded by the Puerto Rican-Mexican-American dancer and choreographer Tina Ramirez in 1970 and presents dances reflecting the experience of Hispanic and Latino Americans. [ 1 ] The company has performed for more than two million people in the United States , Europe , and South America , and has a repertoire of over 75 works. [ 2 ]
Modotti – who was a target of both the Mexican and Italian political police [23] — was questioned about both crimes amidst a concerted anti-communist, anti-immigrant press campaign, that depicted "the fierce and bloody Tina Modotti" as the perpetrator (a Catholic zealot, Daniel Luis Flores, was later charged with shooting Ortiz Rubio. José ...
The word "gringo" did not originate during the Mexican–American War (1846–1848) as a corruption of "Green, go home!", in reference to the green uniforms of American troops. [101] [102] The word originally simply meant "foreigner", and is probably a corruption of the Spanish word griego for "Greek" (along the lines of the idiom "It's Greek ...
Greek Mexican families can also be found in other major cities around the republic, such as Mexico City and Guadalajara. Most Greeks that arrived in Mexico City went to live in La Merced neighborhood and formed a community around Calle Academia or Academia Street.
[1] Colón-Zayas has been a member of the LAByrinth Theatre Company, a New York-based traveling actors' group, since its founding in 1992. [3] On stage, she originated the role of Norca in the off-Broadway productions of Our Lady of 121st Street and the role of Haiku Mom in Quiara Alegría Hudes Pulitzer winner, Water by the Spoonful. [4]
Prior to this Tina had hits in Ireland with I Don't Know How to Love Him, number 1, 1971; Tell Me What's the Matter, number 15, 1972 and When Morning Has Come, number 20, 1973. Tina almost represented Ireland at the Eurovision in 1973 as she was flown out to Luxembourg to replace singer Maxi when a dispute about the live arrangement of the song ...
An interview - dcpoetry.com; A poem - upenn.edu; Another poem and a photograph - poetryproject.com; on the corner to off the corner facsimile & pdf at e c l i p s e; etruscan reader VIII: Tina Darragh, Douglas Oliver & Randolph Healy link to Salt Publishing page on etruscan reader VIII with brief description of Darragh's poetics
The heroine's lament remained a fixture in romantic opera, and the Marschallin's monologue in act 1 of Der Rosenkavalier can be understood as a penetrating psychological lament. [12] In modernity, discourses about melancholia and trauma take the functional place ritual laments hold in premodern societies. This entails a shift from a focus on ...