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Kumaragama was a fine student of English literature. He was a voracious reader and had a good knowledge of English poetry. He, as well as his contemporaries Meemana Prematilaka and Sagara Palansooriya , were said to be great admirers of Romantic poets John Keats , Percy Bysshe Shelley , William Wordsworth and Alfred Tennyson .
Sri Lankan literature is the literary tradition of Sri Lanka. The largest part of Sri Lankan literature was written in the Sinhala language, but there is a considerable number of works in other languages used in Sri Lanka over the millennia (including Tamil, Pāli, and English). However, the languages used in ancient times were very different ...
K. Jayatilake was one of Sri Lanka's topmost creative writers of the modern period of Sinhala literature. Using his close observations of village life, Jayatilake was a pioneer in the Sinhalese realistic novel. His first creative work, Punaruppattiya, a collection of short stories published in 1955, was well received.
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By the beginning of the 1960s, the Hela Hawula was the strongest force in the country in terms of the Sinhala language and literature. [11] At that time the 'Hela Havula' had branches not only in Ahangama, Unawatuna, Rathgama, Galle, Kalutara and Kandy but also in schools such as Mahinda College in Galle and S. Thomas' College, Mount Lavinia .
Worked as a teacher in Kegalle Buddhist School in 1951. Joined "Lankadeepa" national newspaper from Times of Ceylon in 1952 and continued his services there as a journalist for 33 years. Employer: Times of Ceylon: Known for: Books on Sinhala poetry, Sinhala literature and grammar. Number of Sinhala books for children and youngsters.
Gamperaliya (The Transformation of a Village) is a novel written by Sri Lankan writer Martin Wickremasinghe [2] and first published in 1944. Wickremasinghe subsequently wrote Kaliyugaya and Yuganthaya, as a trilogy encompassing three generation of the same family and the changing society, culture and economic environment of Sri Lanka between the early and mid 20th century.
The movie departs from the then traditional movie style; no hero, heroine, ("Boy" and "Girl") no enemy or villain, Joker, no songs, and fights etc. Based on a romantic and emotional attachment between a teenage boy and a girl who study in the same class of their school, Golu Hadawatha is regarded as one of the landmarks in Sri Lankan Cinema.