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  2. Culture in music cognition - Wikipedia

    en.wikipedia.org/wiki/Culture_in_music_cognition

    Flute timbre supports the detection of peace, whereas string timbre aids anger identification. Happy and sad assessments, on the other hand, rely primarily on relatively "low-level" structural information such as tempo. Both low-level cues (e.g., slow tempo) and timbre aid in the detection of peaceful music, but only timbre cued anger ...

  3. Timbre - Wikipedia

    en.wikipedia.org/wiki/Timbre

    In music, timbre (/ ˈ t æ m b ər, ˈ t ɪ m-, ˈ t æ̃-/), also known as tone color or tone quality (from psychoacoustics), is the perceived sound quality of a musical note, sound or tone. Timbre distinguishes different types of sound production, such as choir voices and musical instruments.

  4. Timbral listening - Wikipedia

    en.wikipedia.org/wiki/Timbral_listening

    The composition of timbre-centered music in the nomadic communities of Tuva involves mimicry of sounds heard in the environment. Timbral listening is a fundamental component of listening to, understanding and being able to correctly perform this music using vocal techniques such as throat singing "khoomei" and harmonic producing instruments such as the jaw harp, bzaanchy, shoor, qyl qiyak, qyl ...

  5. Music-specific disorders - Wikipedia

    en.wikipedia.org/wiki/Music-specific_disorders

    Similarly, neuroscientists have come to learn much about music cognition by studying music-specific disorders. Even though music is most often viewed from a "historical perspective rather than a biological one" [ 1 ] music has significantly gained the attention of neuroscientists all around the world.

  6. Temporal envelope and fine structure - Wikipedia

    en.wikipedia.org/wiki/Temporal_envelope_and_fine...

    Temporal envelope (ENV) and temporal fine structure (TFS) are changes in the amplitude and frequency of sound perceived by humans over time. These temporal changes are responsible for several aspects of auditory perception, including loudness, pitch and timbre perception and spatial hearing.

  7. Psychology of music - Wikipedia

    en.wikipedia.org/wiki/Psychology_of_music

    The psychology of music, or music psychology, is a branch of psychology, cognitive science, neuroscience, and/or musicology.It aims to explain and understand musical behaviour and experience, including the processes through which music is perceived, created, responded to, and incorporated into everyday life.

  8. Vocal pedagogy - Wikipedia

    en.wikipedia.org/wiki/Vocal_pedagogy

    The term register can be somewhat confusing as it encompasses several aspects of the human voice. The term register can be used to refer to any of the following: [1] A particular part of the vocal range such as the upper, middle, or lower registers. A resonance area such as chest voice or head voice. A phonatory process; A certain vocal timbre

  9. Musicophilia - Wikipedia

    en.wikipedia.org/wiki/Musicophilia

    Musicophilia: Tales of Music and the Brain is a 2007 book by Oliver Sacks. It explores a range of psychological and physiological ailments and their connections to music. It is divided into four parts, each with a distinctive theme: Haunted by Music examines mysterious onsets of musicality and musicophilia (and musicophobia); A Range of Musicality looks at musical oddities musical synesthesia ...