Search results
Results from the WOW.Com Content Network
Many art historians think that it is an allegory of painting, [2] hence the alternative title of the painting. Its composition and iconography make it the most complex Vermeer work of all. After Vermeer's Christ in the House of Martha and Mary and The Procuress it is his largest work. This illusionistic painting is one of Vermeer's most famous.
Vermeer's iconography in the painting is largely taken from Cesare Ripa's Iconologia, an emblem book (a collection of allegorical illustrations with accompanying morals or poems on a moral theme) which had been translated into Dutch in 1644 by D. P. Pers.
Detail of the painting The Procuress (c. 1656), proposed self portrait by Vermeer [1] The following is a list of paintings by Johannes Vermeer (1632–1675), a Dutch Golden Age painter. After two or three early history paintings, he concentrated almost entirely on genre works, typically interiors with one or two figures. Vermeer's paintings of ...
Original – This is a famous 17th-century oil on canvas painting by Dutch painter, Johannes Vermeer, also known as The Allegory of Painting, and or Painter in his Studio. The modell is impersonating the Muse of History, Clio. The largest work by the master. ALT - Google's scan. It can be cropped if necessary. Reason One of Jan Vermeer's best ...
It makes reference to The Art of Painting by Johannes Vermeer, a famous seventeenth-century work in which a painter, thought to be a self-portrait of Vermeer, is depicted with his back to the viewer, in distinctive costume. [2] It is one of a number of paintings expressive of Dalí's enormous admiration for Vermeer.
The Music Lesson is a mature work of Vermeer and his handling of color and his choice of painting materials [8] is but one of the aspects proving his mastery. The painting is dominated by dark areas such as the bluish-black floor painted in bone black with the addition of natural ultramarine .
The painting of Cupid on the wall behind the girl resembles a painting from Vermeer's own collection of art, a painting by Cesar van Everdingen. [2] The restoration provides an opportunity to reconsider the painting. The painting of Cupid on the wall may suggest that the girl is reading a love letter.
The painting was among the large collection of Vermeer works sold on May 16, 1696, from the estate of Jacob Dissius (1653–1695). It is widely believed the collection was originally owned by Dissius' father-in-law, Pieter Claesz van Ruijven of Delft as Vermeer's major patron, then passed down to Ruijven's daughter (1655–1682), who would have left it to Dissius.