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Pitch correction is an electronic effects unit or audio software that changes the intonation (highness or lowness in pitch) of an audio signal so that all pitches will be notes from the equally tempered system (i.e., like the pitches on a piano). Pitch correction devices do this without affecting other aspects of its sound.
The processor slightly shifts pitches to the nearest true, correct semitone (to the exact pitch of the nearest note in traditional equal temperament). Auto-Tune can also be used as an effect to distort the human voice when pitch is raised or lowered significantly, [9] such that the voice is heard to leap from note to note stepwise, like a ...
Pitch correction is a form of pitch shifting and is found in software such as Auto-Tune and Melodyne to correct intonation inaccuracies in a recording or performance. Pitch shifting may raise or lower all sounds in a recording by the same amount, whereas in practice, pitch correction may make different changes from note to note. [5]
In digital music processing technology, quantization is the studio-software process of transforming performed musical notes, which may have some imprecision due to expressive performance, to an underlying musical representation that eliminates the imprecision.
Pitch scaling is the opposite: the process of changing the pitch without affecting the speed. Pitch shift is pitch scaling implemented in an effects unit and intended for live performance. Pitch control is a simpler process which affects pitch and speed simultaneously by slowing down or speeding up a recording.
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Pitch correction/vocal effects: Pitch correction effects use signal-processing algorithms to re-tune faulty intonation in a vocalist's performance [119] or create unusual vocoder-type vocal effects. One of the best known examples of this is Autotune , a software program and effect unit which can be used to both correct pitch (it moves a pitch ...
Recently, digital pitch correction has been applied to some films, which corrects the pitch without altering lip-sync, by adding in extra cycles of sound. This has to be regarded as a form of distortion, as there is no way to change the pitch of a sound without also slowing it down that does not change the waveform itself.
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