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"A Death-Bed" is a poem by English poet and writer Rudyard Kipling (1865-1936). It was first published in April 1919, in the collection The Years Between . Later publications identified the year of writing as 1918.
The reader perceives this imminent death and, because he does, he loves the author even more. However, an alternative understanding of the sonnet presented by Prince asserts that the author does not intend to address death, but rather the passage of youth. With this, the topic of the sonnet moves from the speaker's life to the listener's life. [9]
Deaths and Entrances is a volume of poetry by Dylan Thomas, first published in 1946. Many of the poems in this collection dealt with the effects of World War II, which had ended only a year earlier. [1] It became the best-known of his poetry collections. Some of the poems contained in the volume have become classics, notably Fern Hill. [2]
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
The Book of the Dead is a long narrative poem written by Muriel Rukeyser, appearing in her collection US 1.Published in 1938, the poem deals with the Hawks Nest Tunnel disaster, also known as the Gauley Tunnel Tragedy, in which predominately poor, migrant mine workers in Gauley Bridge, West Virginia succumbed to death caused by the occupational mining disease known as silicosis.
The death poem is a genre of poetry that developed in the literary traditions of the Sinosphere—most prominently in Japan as well as certain periods of Chinese history, Joseon Korea, and Vietnam. They tend to offer a reflection on death—both in general and concerning the imminent death of the author—that is often coupled with a meaningful ...
The poem, originally titled A Visit or A Visit From St. Nicholas, was first published anonymously on Dec. 23, 1823, in a Troy, New York newspaper called The Sentinel.
The first line of the poem, "I heard a fly buzz– when I died–" is intended to garner the attention of the reader. [4] Readers are said to be drawn to continue the poem, curious as to how the speaker is talking about her own death. [4] The narrator then reflects on the moments prior to the very moment she died. [1]