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Donna S. Dewberry (born November 6, 1953) is an American artist and author who developed a "One Stroke" painting technique that will enable anyone to reproduce any effect of nature with one easy-to-learn technique.
Irene Chou (Chinese: 周綠雲; pinyin: Zhou Luyun) (January 31, 1924 – July 1, 2011) was a Chinese artist, one of the most influential exponents of the New Ink Painting movement in Hong Kong. A leader in the New Ink Painting Movement, Chou was at the forefront of reinventing traditional ink paintings into a contemporary art form.
Still Life with Candlestick (French: Nature morte aux chandeliers, Nature morte, chandeliers, Nature morte au chandelier, Le chandelier) is an oil painting created in 1922 by the French artist Fernand Léger. This painting was stolen on 20 May 2010 from the Musée d'Art Moderne de la Ville de Paris.
Netherlandish Proverbs (Dutch: Nederlandse Spreekwoorden; also called Flemish Proverbs, The Blue Cloak or The Topsy Turvy World) is a 1559 oil-on-oak-panel painting by Pieter Bruegel the Elder that depicts a scene in which humans and, to a lesser extent, animals and objects, offer literal illustrations of Dutch-language proverbs and idioms.
Magdalene with Two Flames or The Penitent Magdalene is an undated oil-on-canvas painting created c.1640 by the French painter Georges de La Tour.In 1978 Mr. and Mrs. Charles Wrightsman gave it to the Metropolitan Museum of Art in New York, where it still hangs.
Two Women with a Candle or Old Woman and Young Woman with a Candle is a 1616-1617 painting by Peter Paul Rubens, now in the Mauritshuis, The Hague, Netherlands. Its chiaroscuro shows strong influence from Caravaggio , whose work Rubens had seen during a stay in Rome.
In painting, it is a technique in which a paint brush that is very wet with solvent and holds a small load of paint or ink is applied to a wet or dry support such as paper or primed or raw canvas. The result is a smooth and uniform area that ideally lacks the appearance of brush strokes and is semi-transparent.
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...