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A finite-state transducer (FST) is a finite-state machine with two memory tapes, following the terminology for Turing machines: an input tape and an output tape. This contrasts with an ordinary finite-state automaton, which has a single tape. An FST is a type of finite-state automaton (FSA) that maps between two sets of symbols. [1]
Despite Everything (Spanish: A pesar de todo) is a 2019 Spanish comedy film directed by Gabriela Tagliavini and starring Blanca Suárez, Macarena García, Amaia Salamanca, and Belén Cuesta. [1] The film premiered at the Málaga Film Festival on 16 March 2019, [ 2 ] [ 3 ] and released on Netflix on 3 May 2019, becoming the most-watched Spanish ...
The film's title is a play on words in Spanish, with “toc” being both the onomatopoeia for “knock” and the abbreviation for OCD in Spanish (trastorno obsesivo compulsivo). [3] It is the film adaptation of a French play by Laurent Baffie. [4] The film was shown during the summer of 2018 as part of the Cine de Verano in Seville, Spain. [5]
A telesync (TS) [1] is a bootleg recording of a film recorded in a movie theater, often (although not always) filmed using a professional camera on a tripod in the projection booth. The audio of a TS is captured with a direct connection to the sound source (often an FM microbroadcast provided for the hearing-impaired, or from a drive-in theater ).
Perfect Strangers (Spanish: Perfectos desconocidos) is a 2018 Mexican comedy film directed by Manolo Caro. [1] It is an adaptation of the 2016 Italian film. [2] The film premiered on 25 December 2018, and stars Bruno Bichir, Mariana Treviño, and Cecilia Suárez. The plot revolves around seven friends who gather for dinner and agree to ...
Retribution (Spanish: El desconocido, transl. 'The Stranger') is a 2015 Spanish-French action thriller film directed by Dani de la Torre, and starring Luis Tosar, Javier Gutiérrez, Elvira Mínguez and Goya Toledo. It was screened in the Venice Days section of the 72nd Venice International Film Festival. [2]
Spanish films of 2000; Spanish films of 2001; Spanish films of 2002; Spanish films of 2003; Spanish films of 2004; Spanish films of 2005; Spanish films of 2006; Spanish films of 2007; Spanish films of 2008; Spanish films of 2009
[9] [12] It opened to over €1.1 million, thus becoming the 2nd largest opening for a Spanish film in 2024 up to that date. [13] By February 2025, the film had grossed around €8.5 million at the Spanish box office. [14] By that time it had already become the highest-grossing Spanish film directed by a woman. [15]