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The origins of the shepherd's leap may date back to the Guanches, the aboriginal inhabitants of the islands prior to the Castilian conquest period of the early 15th century. Canarian shepherds required a specialised means of transporting themselves safely across ravines and down steep embankments, and settled on the use of long wooden poles ...
Download as PDF; Printable version; ... Ballet companies in Spain (4 P) D. Spanish ballet dancers (2 C, 1 P) This page was ...
An acro dancer performing a straddle split leap. A split leap or split jump is a sequence of body movements in which a person assumes a split position after leaping or jumping from the floor, respectively, while still in the air. Split leaps and split jumps are both found in various genres of dance including acro, ballet and jazz dance, and in ...
D minor, 3 4; a popular Andalusian folk song with a lamenting tone. Zapateado (Allegro) A major, 6 8; a virtuosic, expressive-lyrical dance. Vito (Allegretto) A minor, 3 8; a popular Andalusian song which Sarasate had already used in the Airs espagnols, Op. 18. The middle section is based on the popular Spanish song La partida by Fermín María ...
Chassé (French, "to chase") is a dance step with a triple step pattern used in many forms of dance. [1] It is a gliding, flowing [citation needed] step with the feet essentially following a step–together–step pattern. Timing and length of steps vary from dance to dance.
Open fourth position, with heels lined up, one directly in front of the other Closed fourth position, with heel of each foot overlapping the toe of the other foot. There are two types of fourth position: ouverte and croise. In both cases, one foot is placed approximately 12 inches (30 cm) in front of the other.
The Cachucha was created in Cuba though it is now considered a Spanish dance. Fanny Elssler (1810-1884, Vienna) popularized this dance when she introduced it to the public in the ballet from Rossini's opera La donna del lago in 1830s London, and cemented its fame in Jean Coralli's ballet Le Diable boiteux (1836, Vienna).
One of the structurally strictest forms of flamenco, a traditional dance in alegrías must contain each of the following sections: a salida (entrance), paseo (walkaround), silencio (similar to an adagio in ballet), castellana (upbeat section) zapateado (literally "a tap of the foot") and bulerías. This structure though, is not followed when ...