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Lionel Edwards (9 November 1878 – 13 April 1966) was a British artist who specialised in painting horses and other aspects of British country life. He is best known for his hunting scenes but also painted pictures of horse racing, shooting and fishing.
As New York Times art reviewer Roberta Smith said: "[Google Arts & Culture] is very much a work in progress, full of bugs and information gaps, and sometimes blurry, careering virtual tours." [6] Though the second-generation platform solved some technological issues, the firm plans to continue developing additional enhancements for the site.
The green coloring of the painting is suggestive of an influence from English horse racing scenes. [9] The driver's top hat and the presence of the bulldog also contribute to the "English character" of the painting. English styles were fashionable among the French upper classes at the time of the painting's creation. [10]
The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the ...
Anecdotally, American bettors consider dirt racing to be more predictable, which makes it a more popular medium for betting purposes. [1] Weather conditions affect the speed of the different surfaces too, and grading systems have been developed to indicate the track condition (known as the "going" in the UK and Ireland ).
Horse racing became a popular pastime in 19th century France under Louis-Philippe and Napoleon III. Degas began admiring horses while visiting friends in Normandy. Over the course of his career it is reported that he created 45 oils, 20 pastels, 250 drawings, and 17 sculptures related to horses. Degas was eager to know horses in anatomical ...
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George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough.