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The following is a list of works in stained glass designed by the English artist John Piper, listed chronologically. Already an established artist, Piper began designing for stained glass in the 1950s, working in partnership with Patrick Reyntiens , who manufactured the large majority of Piper's realised designs over a period of 30 years.
John Egerton Christmas Piper CH (13 December 1903 – 28 June 1992) was an English painter, printmaker and designer of stained-glass windows and both opera and theatre sets. . His work often focused on the British landscape, especially churches and monuments, and included tapestry designs, book jackets, screen prints, photography, fabrics and cerami
Buffalo Print Club 1931 Prairie Print Makers Wichita, Kansas 1931 Brooklyn Society of Etchers Brooklyn, New York City, New York becomes Society of American Etchers 1931 Haden Etching Club 1932 Syracuse Print Club 1932 Woodcut Society 1933 Society of Washington DC Etchers Washington, D. C. 1933 Print Club of Albany 1934
Created Date: 8/30/2012 4:52:52 PM
1910 – Chicago Society of Etchers was established, the country's first organization of etchers. The group promoted etching through traveling exhibitions around the country and hosting annual exhibitions at the Art Institute of Chicago until the Society's demise in 1972.
John Kay Et, (caricatures) John Hamilton Mortimer Et (caricatures) Richard Newton Et, Aq (caricatures) Piercy Roberts Et, En, Me (caricatures) Thomas Rowlandson Et, Aq (caricatures) Paul Sandby Et (landscapes) F.Sansom Et (caricatures) Robert Sayers Et (caricatures) John Keyse Sherwin Et, En, Me (portraits) John Raphael Smith Et
Haden's About Etching (1866) was an important early work, promoting a particular view of etching, especially applicable to landscapes, as effectively an extension of drawing, with its possibilities for spontaneity and revealing the creative processes of the artist in a way that became lost in a highly finished and reworked oil painting. [33]
It attracted international members and was successful at popularizing etching in 20th-century America. [3] Society members pooled funds for annual prizes for new prints, to be gifted to the Art Institute, and tithed ten percent of their dues to the museum for new print acquisitions. The group disbanded in 1956. [4]