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Blackbirds of 1928 was a hit Broadway musical revue [1] that starred Adelaide Hall, Bill Bojangles Robinson, Tim Moore and Aida Ward, with music by Jimmy McHugh and lyrics by Dorothy Fields. It contained the hit songs "Diga Diga Do", the duo's first hit, " I Can't Give You Anything But Love ", "Bandanna Babies" and "I Must Have That Man" all ...
"I Can't Give You Anything but Love, Baby" is an American popular song and jazz standard by Jimmy McHugh (music) and Dorothy Fields (lyrics). The song was introduced by Adelaide Hall at Les Ambassadeurs Club in New York in January 1928 in Lew Leslie's Blackbird Revue, which opened on Broadway later that year as the highly successful Blackbirds of 1928 (518 performances), wherein it was ...
The following songs achieved the highest positions in Joel Whitburn's Pop Memories 1890-1954 and record sales reported on the "Discography of American Historical Recordings" website during 1928: [6] Numerical rankings are approximate, they are only used as a frame of reference.
Music portal; 1920s portal ... Pages in category "1928 songs" The following 72 pages are in this category, out of 72 total. This list may not reflect recent changes. A.
Blackbirds of 1926, also known as Lew Leslie's Blackbirds of 1926 was a musical revue with an all African American cast created and produced by impresario Lew Leslie that starred Florence Mills, Edith Wilson, and Johnny Hudgins, with music by George W. Meyer and Arthur Johnston, and lyrics by Grant Clarke and Roy Turk.
1928 songs (71 P) V. Music venues completed in 1928 (8 P) Pages in category "1928 in music" The following 7 pages are in this category, out of 7 total.
He became famous for his stage shows at the Cotton Club and later for his Blackbirds revues, which he mounted in 1926, 1928, 1930, 1933 and 1939. Blackbirds of 1928 starring Adelaide Hall, [5] Bill "Bojangles" Robinson, Tim Moore and Aida Ward. It was his most successful revue and ran for over one year on Broadway, where it became the hit of ...
[106] [107] It is the best-selling song of country music's first decade. [108] Bix Beiderbecke joins the Wolverine Orchestra, making his first recordings; he will be more influential than any white composer or performer in Chicago in the era, [70] and will be perhaps the first white jazz performer to be widely respected by African-American jazz ...