Search results
Results from the WOW.Com Content Network
In the countryside, Crescentii castles concentrated a cluster of population that depended on them for their defense and were dependable armed members of the Crescentii clientage. After Sergius IV's death (1012), the Crescentii simply installed their candidate, Gregory, in the Lateran, without the assent of the cardinals. A struggle flared ...
The Gaeta Diocesan Museum, formally known as the Museo Diocesano e della Religiosità del Parco dei Monti Aurunci, displays a collection of religious objects and artworks, and is housed in the Palazzo De Vio, adjacent to the cathedral of Gaeta, region of Lazio, Italy.
The bell tower of Gaeta Cathedral is located behind the building, in Pope Gelasius Square, overlooking the Gulf of Gaeta. [1] Built in the Romanesque style with strong Arab-Norman influence, [2] [3] it is 57 meters high, [4] was built beginning in 1148 and was completed in 1279 with the construction of the apex tower.
The Duchy of Gaeta (Latin: Ducatus Caietae) was an early medieval state centered on the coastal South Italian city of Gaeta. It began in the early ninth century as the local community began to grow autonomous as Byzantine power lagged in the Mediterranean and the peninsula due to Lombard and Saracen incursions.
Gaeta Cathedral, more formally the Cathedral of Saints Erasmus and Marcian and St. Mary of the Assumption (Italian: Cattedrale di Gaeta; Cattedrale dei Santi Erasmo e Marciano e di Santa Maria Assunta), is the most important place of Catholic worship in Gaeta, Italy, mother church of the archdiocese of the same name and seat of the parish of Mary Most Holy Assumed into Heaven (Italian: Maria ...
His studio was prodigious and he painted frescoes for the Church of Santa Chiara (1752–1754), five canvases for the Chapel in Caserta Palace (now lost), as well as many others including for the Benedictines of Aversa (1761), a History of Saint Francis of Paola for the Sanctuary of Saint Maria di Pozzano of Castellammare di Stabia (1762–1763 ...
Encastellation (sometimes castellation, which can also mean crenellation) is the process whereby the feudal kingdoms of Europe became dotted with castles, from which local lords could dominate the countryside of their fiefs and their neighbours', and from which kings could command even the far-off corners of their realms.
Fenton's pictures during the Crimean War were one of the first cases of war photography, with Valley of the Shadow of Death considered "the most eloquent metaphor of warfare" by The Oxford Companion to the Photograph. [13] [14] [s 3] Sergeant Dawson and his Daughter: 1855 Unknown; attributed to John Jabez Edwin Mayall [15] Unknown [e]