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A las cinco en el Astoria is the first album to feature Leire Martínez as the lead singer, replacing Amaia Montero, who had left in 2007. The first song released was "El Último Vals". The single was produced by Nigel Walker and La Oreja de Van Gogh. All songs are composed by the current members of the band. [2]
First number of El Mercurio de Valparaíso, dated 12 September 1827. El Mercurio de Valparaíso (Spanish pronunciation: [el meɾˈkuɾjo ðe βalpaɾaˈiso]) is the oldest continuously circulating periodical, published under the same name, in the Spanish language. It was founded on September 12, 1827. It is based in Valparaíso, Chile.
"Puedes Contar Conmigo" (Spanish pronunciation: [ˈpweðes konˈtaɾ komˈmiɣo]; "You Can Count On Me") is a song written by Amaia Montero and performed by La Oreja de Van Gogh. It was released in April, 2003, as the first single from their third studio album Lo Que Te Conté Mientras Te Hacías La Dormida .
"El último vals" (The Last Waltz) is the first single from the album A las cinco en el Astoria by the Spanish pop/rock group La Oreja de Van Gogh. It is also the first single released after the departure of the former lead singer of the group Amaia Montero and with the new singer Leire Martínez .
The high-end art market seems to be a great option for investment these days. On Tuesday, Vincent Van Gogh's painting, L'Allée des Alyscamps sold at a Sotheby's auction for $66.3 million to ...
It was one of the first paintings by van Gogh to enter a public collection. It was photographed in color in the 1930s, an uncommon and costly practice at the time. [5] [4] During World War II, the collection of the Kaiser-Friedrich Museum was transported to a salt mine in the nearby town of Stassfurt, in order to protect it from Allied bombing ...
Van Gogh spent the last few months of his life in Auvers-sur-Oise, a small town just north of Paris, after he left an asylum at Saint-Rémy in May 1890. [4] He made the painting in the week following his portraits of Dr. Gachet. [5]
In May 1889 Van Gogh voluntarily entered the asylum of St. Paul near Saint-Rémy in Provence. [2] [3] There Van Gogh had access to an adjacent cell he used as his studio. He was initially confined to the immediate asylum grounds and painted the world he saw from his room, such as ivy covered trees, lilacs, and irises of the garden.