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Bernhard Modern Roman + Italic (1937, Bernhard) Bernhard Modern Bold + Italic (1938, Bernhard) Bernhard Modern Condensed (1938, Bernhard) Bernhard Tango (1934, Lucian Bernhard) Bernhard Tango Swash Capitals (1939, Bernhard), known in Europe as Aigrette. Bodoni series, first American revival of the faces of Giambattista Bodoni. Bodoni (1909, Benton)
It is a version re-issued by International Typeface Corporation after Mike Parker had given ITC exclusive rights to Galliard. Matthew Carter drew the four roman weights and complementary italic designs while at Mergenthaler Linotype, and a suite of small caps for the Roman and Bold weights.
The following is a list of typefaces designed by Frederic Goudy.. Goudy was one of America's most prolific designers of metal type. He worked under the influence of the Arts and Crafts movement, and many of his designs are old-style serif designs inspired by the relatively organic structure of typefaces created between the fifteenth and eighteenth centuries, following the lead of earlier ...
Arrighi's italic typeface design, ca. 1527. At the time italic capitals had not been invented, but were always upright in the Roman inscriptional tradition. Italic typefaces did not exist in Jenson's time, and so the inspiration for Centaur's italic comes from thirty years later, in the calligraphy and printing of Ludovico Vicentino degli ...
University of California Old Style metal type in regular and italic styles, compared to two digitizations: Californian FB and ITC Berkeley Old Style Medium. University of California Old Style is a serif typeface designed by Frederic Goudy and created for the University of California Press from 1936–8. [ 1 ]
Aptos, originally named Bierstadt, is a sans-serif typeface in the neo-grotesque style developed by Steve Matteson. [3] It was released in 2023 as the new default font for the Microsoft Office suite, replacing the previously used Calibri font.
Lucian Bernhard's Bernhard Modern typeface was the ATF's response to the many popular old-style engraving faces of the early 20th century. A somewhat decorative text typeface, it is distinct for its low x-height, elongated ascenders, and relatively short descenders giving it an appearance of height without requiring excessive leading. Serifs ...
Thesis is a large typeface family designed by Luc(as) de Groot. The typefaces were designed between 1994 and 1999 to provide a modern humanist family. Each typeface is available in a variety of weights as well as in italic. Originally released by FontFont in 1994, it has been sold by de Groot through his imprint LucasFonts since 2000. [1] [2]