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Also title card. A piece of filmed, printed text edited into the photographed action at various points. In early films, intertitles were often used to convey character dialogue and to provide related descriptive or narrative material; in modern usage, the term refers almost exclusively to the latter, inserted at or near the beginning or end of ...
The American independent film, beginning in the 1910s but prior to the 1980s and first half of the 1990s, [19] [20] [11] was previously associated with race films, [21] Poverty Row b movies (e.g. Republic Pictures [22] [23]), exploitation films, avant-garde underground cinema (when it was known as the New American Cinema [24] [25]), social and political documentaries, experimental animated ...
AFI's 100 Years... 100 Heroes & Villains is a list of the one hundred greatest screen characters (fifty each in the hero and villain categories) as chosen by the American Film Institute in June 2003.
Collider's Matt Goldberg considered that while Iron Man 2, Thor and Captain America: The First Avenger were quality productions, "they have never really been their own movies", feeling that the plot detours to S.H.I.E.L.D. or lead-ups to The Avengers dragged down the films' narratives.
The original movies were often second-rate themselves since studios expected that the top productions would sell by themselves. The mix of foreign accents (Castilian, Mexican, and Chilean for example in the Spanish case) was odd for the audiences. Some markets lacked sound-equipped theaters.
Digital Cinema Initiatives, LLC (DCI) is a consortium of major motion picture studios, formed to establish specifications for a common systems architecture for digital cinema systems. The organization was formed in March 2002 by Metro-Goldwyn-Mayer , [ a ] Paramount Pictures , Sony Pictures , 20th Century Studios , [ b ] Universal Studios ...
The title sequence is often presented through animated visuals and kinetic type while the credits are introduced on screen. The Morrison Studio is a leading title sequence company in both film and TV, with great examples of title design from films such as Tim Burton's Batman (1989) and Sweeney Todd (2007) through to Creation Stories (2021).
In this Third Cinema manifesto, Sanjinés challenges Hollywood's auteur cinema and instead suggests a different style of filmmaking, using a collective protagonist instead of an individual. This new style of Cinema is referred to as a way of spreading revolutionary ideas by giving voice to those who typically are under-represented: "The ...