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Seventeenth-century engraving depicting a view of the city of Gaeta; the lighthouse ("Lanterna") of St. Catherine is shown on the upper left side.The earliest established record concerning a women's monastery dedicated to St. Catherine of Alexandria dates back to 1384; [3] according to the "Platea del Venerabile Monastero S. Caterina della Città di Gaeta" of c. 1748, however, it would have ...
In the countryside, Crescentii castles concentrated a cluster of population that depended on them for their defense and were dependable armed members of the Crescentii clientage. After Sergius IV's death (1012), the Crescentii simply installed their candidate, Gregory, in the Lateran, without the assent of the cardinals. A struggle flared ...
Benglis was among those notable women artists. This image, addressing the role of religious and art historical iconography in the subordination of women, became "one of the most iconic images of the feminist art movement." [7] [8] Women artists, motivated by feminist theory and the feminist movement, began the feminist art movement in the 1970s ...
The Gaeta Diocesan Museum, formally known as the Museo Diocesano e della Religiosità del Parco dei Monti Aurunci, displays a collection of religious objects and artworks, and is housed in the Palazzo De Vio, adjacent to the cathedral of Gaeta, region of Lazio, Italy.
The Duchy of Gaeta (Latin: Ducatus Caietae) was an early medieval state centered on the coastal South Italian city of Gaeta. It began in the early ninth century as the local community began to grow autonomous as Byzantine power lagged in the Mediterranean and the peninsula due to Lombard and Saracen incursions.
MacKenny also writes that feminist performance Art had a large presence "in the late '60s and early '70s in America when, in the climate of protest constituted by the civil rights movement and second wave feminism." There are several movements that fall under the category of feminist performance art, including Feminist Postmodernism, which took ...
Pattern and Decoration was a United States art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" [1] [2] or as The New Decorativeness. [3] The movement was championed by the gallery owner Holly Solomon. [4] The movement was the subject of a retrospective exhibition at the Hudson River Museum in ...
Rothenberg's work has been the subject solo exhibitions throughout the United States and abroad. Her first major survey, initiated by the Los Angeles County Museum of Art, traveled to the San Francisco Museum of Modern Art, the Carnegie Institute, and the Tate Gallery, London, among other institutions (1983–1985).