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Columbine (Italian: Colombina; French: Colombine; [2] lit. ' little dove ') is a stock character in the commedia dell'arte. [3] She is Harlequin's mistress, [3] a comic servant playing the tricky slave type, and wife of Pierrot. Rudlin and Crick use the Italian spelling Colombina in Commedia dell'Arte: A Handbook for Troupes. [4]
Eduardo De Filippo as Pulcinella, a character from the commedia dell'arte Commedia dell'arte troupe I Gelosi performing, by Hieronymus Francken I, c. 1590. Commedia dell'arte [a] was an early form of professional theatre, originating from Italian theatre, that was popular throughout Europe between the 16th and 18th centuries.
Stock characters from Commedia dell'Arte — which gave each character a standard costume, so easily identifiable — continued across many types of theater, dramatic storytelling, and fiction. A stock character is a dramatic or literary character representing a generic type in a conventional, simplified manner and recurring in many fictional ...
The name Harlequin is taken from that of a mischievous "devil" or "demon" character in popular French Passion Plays.It originates with an Old French term herlequin, hellequin, first attested in the 11th century, by the chronicler Orderic Vitalis, who recounts a story of a monk who was pursued by a troop of demons when wandering on the coast of Normandy, France, at night.
Columbine (Colombina in Italian) is a lovely woman who has caught the eye of Harlequin. In the original commedia dell'arte she was variously portrayed as a Pantaloon's daughter or servant. In the English harlequinade she is always Pantaloon's daughter or ward. [16]
[3] [4] Carlo Goldoni, in his memoirs, named Pantalone as one of the four primary commedia dell'arte characters. [5] Among other things, Pantalone is a character of Venetians; one theory is that his name derives from Saint Pantaleon (San Pantalone), a popular saint in Venice. [6]
Pierrot (/ ˈ p ɪər oʊ / PEER-oh, US also / ˈ p iː ə r oʊ, ˌ p iː ə ˈ r oʊ / PEE-ə-roh, PEE-ə-ROH; French: ⓘ), a stock character of pantomime and commedia dell'arte, has his origins in the late 17th-century Italian troupe of players performing in Paris and known as the Comédie-Italienne.
Each character in commedia dell'arte is distinctly different, and defined by their movement, actions, masks, and costumes. These costumes show their social status and background. These costumes show their social status and background.