Search results
Results from the WOW.Com Content Network
Vitreous enamel, also called porcelain enamel, is a material made by fusing powdered glass to a substrate by firing, usually between 750 and 850 °C (1,380 and 1,560 °F). The powder melts, flows, and then hardens to a smooth, durable vitreous coating.
Fast dry enamel – Can dry within 10–15 minutes of application. Ideal for refrigerators, counters, and other industrial finishes. [7] High-temp enamel – May be used for engines, brake calipers, exhaust pipe and BBQs. Enamel paint is also used on wood to make it resistant to the elements via the waterproofing and rotproofing properties of ...
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
Vitreous enamel, a smooth, durable coating for metal, made of melted and fused glass powder; Enamelled glass, glass which has been decorated with vitreous enamel; Overglaze enamelling, painting on top of glaze in pottery
The most important characteristic of porcelain enamel, from an industrial perspective, is its resistance to corrosion. [3] Mild steel is used in almost every industry and a huge array of products; porcelain enamel is a very economic way of protecting this, and other chemically vulnerable materials, from corrosion.
The Royal Gold Cup, 23.6 cm high, 17.8 cm across at its widest point; weight 1.935 kg. British Museum. Basse-taille (bahss-tah-ee) is an enamelling technique in which the artist creates a low-relief pattern in metal, usually silver or gold, by engraving or chasing.
High-quality Mosan 12th century armlet, somewhat damaged, so showing the cast recesses for the enamel. Champlevé is an enamelling technique in the decorative arts, or an object made by that process, in which troughs or cells are carved, etched, die struck, or cast into the surface of a metal object, and filled with vitreous enamel.
The outstanding early examples that survive are "the decorative insets in the early fifteenth-century Mérode Cup (Burgundian cup) at the Victoria and Albert Museum in London, a Swiss early sixteenth-century plique-à-jour enamel plaque representing the family of the Virgin Mary in the Metropolitan Museum of Art in New York, [8] and the eight ...