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The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello.The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.
In the natural minor scale, the triad is a minor chord, denoted by "v". However, in a minor key , the seventh scale degree is often raised by a half step ( ♭ to ♮ ), creating a major chord . These chords may also appear as seventh chords : typically as a dominant seventh chord , but occasionally in minor as a minor seventh chord v 7 with ...
Johann Ernst of Saxe-Weimar: Concerto Op. 1 No. 1 983: G minor: 984: C major: Johann Ernst of Saxe-Weimar: Violin Concerto in C major and possibly BWV 595 985: G minor: Telemann: Violin Concerto in G minor, TWV 51:g1 986: G major: 987: D minor: Johann Ernst of Saxe-Weimar: Concerto Op. 1 No. 4
Ach wie flüchtig, ach wie nichtig, BWV 26; Ach, lieben Christen, seid getrost, BWV 114; Achille et Polyxène; Aci, Galatea e Polifemo; Acis and Galatea (Handel) Acis y Galatea; Adagio and Allegro for Horn and Piano; Adagio and Allegro in F minor for a mechanical organ, K. 594; Adagio and Fugue in C minor (Mozart) Adagio and Rondo Concertante
The concerto transcriptions of Johann Sebastian Bach date from his second period at the court in Weimar (1708–1717). Bach transcribed for organ and harpsichord a number of Italian and Italianate concertos, mainly by Antonio Vivaldi, but with others by Alessandro Marcello, Benedetto Marcello, Georg Philipp Telemann and the musically talented Prince Johann Ernst of Saxe-Weimar.
The toccatas represent Bach's earliest keyboard compositions known under a collective title. [1] The earliest sources of the BWV 910, 911 and 916 toccatas appear in the Andreas-Bach Book, [2] an important collection of keyboard and organ manuscripts of various composers compiled by Bach's oldest brother, Johann Christoph Bach between 1707 and 1713.
The exposition has two parts: Part 1 has two large phrases in D minor, begins with a cantabile main theme played by the cello, with the piano providing a syncopated accompaniment, and the violin then joins the cello with a distorted version of the theme. The transition, more variation of the main theme, ends with the minor dominant (v) pedal of ...
The 24 Preludes and Fugues, Op. 87 by Dmitri Shostakovich are a set of 24 musical pieces for solo piano, one in each of the major and minor keys of the chromatic scale.The cycle was composed in 1950 and 1951 while Shostakovich was in Moscow, and premiered by pianist Tatiana Nikolayeva in Leningrad in December 1952; [1] it was published the same year.
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