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A softbox can be used with either flash or continuous light sources such as fluorescent lamps or "hot lights" such as quartz halogen bulbs or tungsten bulbs. If softbox lights are used with "hot" light sources, the photographer must be sure the softbox is heat rated for the wattage of the light to which it is attached in order to avoid fire hazard.
Radiance is a suite of tools for performing lighting simulation originally written by Greg Ward. [1] It includes a renderer as well as many other tools for measuring the simulated light levels. It uses ray tracing to perform all lighting calculations, accelerated by the use of an octree data structure.
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Some classic camera's exposure guides show the old conversion as they were valid at the time of production, for example the exposure guide of the classic camera Tessina (since 1957), where 21/10° DIN is related to ASA 80, 18° DIN to ASA 40, etc. Users of classic cameras may become confused if they are not aware of the historic background of ...
Professional, Very fine grain film with natural colors and low contrast/saturation for portraits, fashion & wedding photography. Vision 3 technology. Sheet film - PET base. [131] USA: 135–36, 120, 4x5", 8x10" Kodak: Portra 400: 2010-T/P: 400: C-41: Print: Professional, fine grain film with natural colors for portraits, fashion & commercial ...
Version 2 of Studio One was announced on 17 October 2011, [13] [14] and released on 31 October 2011 (alongside the 2.0.2 update). [15] This release of the software introduced multiple enhancements, including integration with Celemony Melodyne, transient detection & quantization, groove extraction, multi-track comping, folder tracks, multi-track MIDI editing, an updated browser, and new plug-ins.
These bits were sold separately from the standard Synth Kit, and cost $35 (USB and CV bits) or $40 (MIDI bit) individually. [5] Alternatively, they were available through the Synth Pro Kit, which was released in June 2015 for $140. [7] The expansion included the three new bits as well as additional connectivity cables and mounting boards. [8] [9]
Uncoated filters can reflect up to 12% of the light, [30] single-coated filter can reduce this considerably, and multi-coated filters can allow up to 99.8% of the light to pass through (0.2% unwanted reflection); the loss of light is not important, but part of the light is reflected inside the camera, producing flare and reducing the contrast ...
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