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The song was popularized by Perry Como in 1947.The recording was released by RCA Victor Records as catalog number 20-2259. The record first reached the Billboard charts on May 30, 1947, and lasted 12 weeks on the chart, peaking at No.1.
Lullaby by François Nicholas Riss A lullaby (/ ˈ l ʌ l ə b aɪ /), or a cradle song, is a soothing song or piece of music that is usually played for (or sung to) children (for adults see music and sleep). The purposes of lullabies vary. In some societies, they are used to pass down cultural knowledge or tradition.
Schlafe, mein Prinzchen, schlaf ein, Schäfchen ruhn und Vögelein, Garten und Wiese verstummt, auch nicht ein Bienchen mehr summt, Luna mit silbernem Schein
"Hush-a-bye baby" in The Baby's Opera, A book of old Rhymes and The Music by the Earliest Masters, ca. 1877. The rhyme is generally sung to one of two tunes. The only one mentioned by the Opies in The Oxford Book of Nursery Rhymes (1951) is a variant of Henry Purcell's 1686 quickstep Lillibullero, [2] but others were once popular in North America.
With the Moonshine Lullaby. Trio: Loo Loo Behind the hill There's a busy little still Where your Pappy's workin' in the moonlight Your lovin' paw Isn't quite within the law So he's hidin' there behind the hill. Annie and Trio: Bye bye baby Stop your yawnin' Don't cry baby Day will be dawning. Trio: And when it does From the mountain where he wuz
In 1971, Angela Davis commented on a version similar to the Lomaxes': ' "All the Pretty Little Horses" is an authentic slave lullaby; it reveals the bitter feelings of Negro mothers who had to watch over their white charges while neglecting their own children.' [6]
McCartney was the lead vocalist. He begins the song in a soft tone appropriate for a lullaby, with piano, bass guitar, and string section accompaniment.The drums come in on the line "Golden slumbers fill your eyes", and McCartney switches to a stronger tone, both of which emphasise the switch to the refrain.
"Rock and Roll Lullaby" is a 1972 hit single performed by B. J. Thomas. It was written by Barry Mann and Cynthia Weil and appeared on his album Billy Joe Thomas . [ 1 ]
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