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The Independent Group (IG) met at the Institute of Contemporary Arts (ICA) in London, England, from 1952 to 1955. The IG consisted of painters, sculptors, architects, writers and critics who wanted to challenge prevailing modernist approaches to culture. They introduced mass culture into debates about high culture, re-evaluated modernism and ...
This is Tomorrow was a collaborative art exhibition that opened at the Whitechapel Art Gallery on 9 August 1956 and featured 12 exhibits within the show that featured collaborations between a variety of architects, painters, sculptors, and other artists. While each using their own style, they built pieces that represented their version of ...
John McHale FRSA (August 19, 1922 – November 2, 1978) was a Scottish artist, art theorist, sociologist and future studies searcher. He was a member of the Independent Group, a British movement (Institute of Contemporary Arts, London) that originated pop art which grew out of an interest in American mass culture and post–World War II technologies.
John McHale, m. 1961- 1978, his death. Magda Cordell McHale (née Lustigova; June 24, 1921 – February 21, 2008) was a Hungarian artist, futurist, and educator. She was a founding member of the Independent Group which was a British movement that originated Pop Art which grew out of a fascination with American mass culture and post-WWII ...
Richard William Hamilton CH (24 February 1922 – 13 September 2011) was an English painter and collage artist. His 1955 exhibition Man, Machine and Motion (Hatton Gallery, Newcastle upon Tyne) and his 1956 collage Just what is it that makes today's homes so different, so appealing?, produced for the This Is Tomorrow exhibition of the Independent Group in London, are considered by critics and ...
Lawrence Reginald Alloway (17 September 1926 – 2 January 1990) was an English art critic and curator who worked in the United States from 1961. In the 1950s, he was a leading member of the Independent Group in the UK and in the 1960s was an influential writer and curator in the US. He first used the term "mass popular art" in the mid-1950s ...
Paolozzi's I was a Rich Man's Plaything (1947) is considered the first standard bearer of Pop Art and first to display the word "pop". Paolozzi showed the collage in 1952 as part of his groundbreaking Bunk! series presentation at the initial Independent Group meeting in London.
The Independent Group has been cited as a progenitor of Pop Art. Turnbull was also included in New Aspects Of British Sculpture, an exhibition in the British Pavilion at the 1952 Venice Biennale [3] selected by Herbert Read which has been described by Tim Marlow as "part of the momentum of British Art in the post war period".
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