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Reason This is a fairly high quality image of the 12th century original 'Along the River During the Qingming Festival' by Zhang Zeduan. There are several pictures of sections of the original painting and even a featured picture of the 18th century Qing Dynasty (Which looks very different) copy but there are no other images of the full Song Dynasty original on wikipedia except for this.
What the Water Gave Me: Poems after Frida Kahlo is a collection of poems by Pascale Petit released in 2010 that were inspired by and reference Kahlo's work. With regards to the present painting, Petit makes Kahlo say that it reveals "my half-drowned thoughts bobbing around my legs".
For a three-month period in the World Expo 2010 presented at the China Pavilion, the original painting was remade into a 3D animated, viewer-interactive digital version, titled River of Wisdom; at 128 × 6.5 m, it is roughly 30 times the size of the original scroll. The computer-animated mural, with moving characters and objects and portraying ...
Matinée de Septembre (English: September Morn) is a controversial oil painting on canvas completed in 1911 by the French artist Paul Émile Chabas.Painted over several summers, it depicts a nude girl or young woman standing in the shallow water of a lake, prominently lit by the morning sun.
Panorama of Along the River During Qing Ming Festival, 18th-century remake of 12th-century Song dynasty original by Chinese artist Zhang Zeduan. The original painting by Zhang is revered by scholars as "one of Chinese civilization's greatest masterpieces." [25] Note: scroll starts from the right.
The Treachery of Images (French: La Trahison des images) is a 1929 painting by Belgian surrealist painter René Magritte. It is also known as This Is Not a Pipe, [2] Ceci n'est pas une pipe [2] and The Wind and the Song. [3] It is on display at the Los Angeles County Museum of Art. [1] The painting shows an image of a pipe.
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The painting caused a sensation when it was exhibited, along with View on the Stour near Dedham and Yarmouth Jetty, [7] at the Salon of 1824 in Paris (it has been suggested that the inclusion of Constable's paintings in the exhibition was a tribute to Géricault, who died early that year).