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Hanging scrolls provide a vertical format to display art on walls. [3] [6] They are one of the most common types of scrolls for Chinese painting and calligraphy. [10] They are made in many different sizes and proportions. [5] Horizontal hanging scrolls are also a common form. [10] Hanging scrolls are different from the handscrolls.
Chinese Manichaeism, also known as Monijiao (Chinese: 摩尼教; pinyin: Móníjiào; Wade–Giles: Mo 2-ni 2 Chiao 4; lit. 'religion of Moni') or Mingjiao (Chinese: 明教; pinyin: Míngjiào; Wade–Giles: Ming 2-Chiao 4; lit. 'religion of light or 'bright religion'), is the form of Manichaeism transmitted to and currently practiced in China.
The Diagram of the Universe cannot be construed as a Chinese version of Mani's Book of Pictures, since picture books and hanging scrolls coexisted in both Uyghur and southern Chinese Manichaeism. There is no evidence that the monumental vertical design of East Asian hanging scrolls replaced the traditional small-scale horizontal layout of West ...
The seal of Mani, the oldest known Manichaean art. Manichaeism has a rich tradition of visual art, starting with Mani himself writing the Book of Pictures. [1]One of Mani's primary beliefs was that the arts (namely painting, calligraphy, and music) were of the same esteem as the divine spirit (Middle Persian: Mihryazd), believing that the creation of art was comparable to god's creation of ...
Sermon on Mani's Teaching of Salvation (Chinese: 冥王聖幀; lit. 'Sacred Scroll of the King of the Underworld') is a Yuan dynasty silk hanging scroll, measuring 142 × 59 centimetres and dating from the 13th century, with didactic themes: a multi-scenic narrative that depicts Mani's Teachings about the Salvation combines a sermon subscene with the depictions of soteriological teaching in ...
Diyu (traditional Chinese: 地獄; simplified Chinese: 地狱; pinyin: dìyù; lit. 'earth prison') is the realm of the dead or "hell" in Chinese mythology.It is loosely based on a combination of the Buddhist concept of Naraka, traditional Chinese beliefs about the afterlife, and a variety of popular expansions and reinterpretations of these two traditions.
The history of this hanging scroll represents a unique case of religious metamorphosis, for it has been used by three religions. It can be divided into three episodes: before ca. 1552, the image was venerated by Manichaeans from southern China.
Muqi, Detail of dusk over fisher's village, from the handscroll "Eight Views of Xiao and Xiang", circa 1250, Collected in Nezu Art MuseumMuqi or Muxi (Chinese: 牧谿; Japanese: Mokkei; 1210?–1269?), also known as Fachang (Chinese: 法常), was a Chinese Chan Buddhist monk and painter who lived in the 13th century, around the end of the Southern Song dynasty (1127–1279).