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The different names of this profession are both based on the fact that the mixer is not mixing a live performance to a live audience nor recording live on a set. That is, the mixer is re-recording sound already recorded elsewhere (the basis of the North American name) after passing it through mixing equipment such as a digital audio workstation ...
Sound mixer at work. A production sound mixer, location sound recordist, location sound engineer, or simply sound mixer is the member of a film crew or television crew responsible for recording all sound recording on set during the filmmaking or television production using professional audio equipment, for later inclusion in the finished product, or for reference to be used by the sound ...
Re-recording is the process by which the audio track of a film or video production is created. An Audio re-recording is often called a re-recording of music.As sound elements are mixed and combined the process necessitates "re-recording" all of the audio elements, such as dialogue, music, sound effects, by the sound re-recording mixer(s) to achieve the desired result, which is the final ...
For most re-recording mixers, the most challenging scenes to mix are the ones with lots of action and requires a multitude of sound effects. For re-recording mixer, Tom Fleischman, it's the opposite.
Historically the Dubbing Mixer (UK) or Re-Recording Mixer (US) was the specialist who mixed all the audio tracks supplied by the Dubbing Editor (with the addition of 'live sounds' such as Foley) in a special Dubbing Suite. As well as mixing, he would introduce equalization, compression and filtered sound effects, etc. while seated at a large ...
In production sound (on-set film and TV recording, as opposed to post-production re-recording), utilities are a "3rd" position, with the boom operator being "2nd", and mixer the "key" or "1st" position in a sound department, and they assist the 2nd and key.
Andy Nelson is a British re-recording mixer and sound engineer working in Los Angeles, California, United States. He has won two Academy Awards for Best Sound and has been nominated 24 times. He has worked on over 150 films since 1980.
Dennis Towns (production mixer), Larry Blake (re-recording mixer), Thomas Vicari (scoring mixer), Scott Curtis (foley mixer) HBO: American Horror Story: Coven "The Replacements" Bruce Litecky (production mixer); Joe Earle, Doug Andham (re-recording mixers); James S. Levine (scoring mixer); Judah Getz (adr mixer); Kyle Billingsley (foley mixer) FX
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