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The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing.The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians, the first of which were Murray Spivack and Jack Solomon for Hello, Dolly!. [1]
The category was first presented as two different categories, Best Sound Editing - Long Form Documentary (2010–2016) and Best Sound Editing - Short Form Documentary (2011–2016), the two categories were renamed in 2014 to Best Sound Editing - Long Form Sound Effects, Foley, Dialogue and ADR in Television Documentary and Best Sound Editing ...
Sylvain Bellemare (born February 20, 1968) is a Canadian sound editor and sound designer, best known internationally as the supervising sound editor of Arrival (2016), [1] [2] for which he won the BAFTA Award for Best Sound (shared with Claude La Haye and Bernard Gariépy Strobl) [3] and the Academy Award for Best Sound Editing.
Year Film Winners/Nominees 1998 Best Sound Editing – Direct to Video – Sound Young Hercules: Mathew Waters (supervising sound editor); Tim Boggs (supervising ADR editor); Dorian Cheah, Lisle Engle, George Haddad, Michael Mullane, Kelly Vandever (sound effects editors); Tony Suraci (Foley editor); Louis Creveling, Jason George, Danielle Ghent, Robert Jackson (dialogue editors)
Outstanding Sound Editing for a Miniseries, Movie or a Special American Horror Story [10] 2012 Won Outstanding Sound Editing for a Series Game of Thrones [11] 2011 Won Motion Picture Sound Editors Best Sound Editing - Short Form Musical in Television Glee: 2010 Won Best Sound Editing - Short Form Music in Television [12]
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