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Casa de Murillo. The Casa de Murillo is a historical house in Seville, Andalusia, Spain, at number 8, calle Santa Teresa, in the historic Barrio de Santa Cruz.It was the home of the painter Bartolomé Esteban Murillo (1617–1682) in the latter years of his life.
However, Murillo does not follow Roelas' austerity and prefers to depict the scene in a baroque and majestic style. [2] The painting was first inventoried in 1746 at the Palace of La Granja, what points to a purchase by the Queen of Spain close to 1730, a period in which Philip V's royal court was located at Seville. [2]
According to Juan Agustín Ceán Bermúdez, the work was commissioned from Bartolomé Esteban Murillo by Justino de Neve (1625–1685). De Neve was a canon of Seville Cathedral and ecclesiastical president of the Hospital de los Venerables in Seville. He commissioned the painting for his personal collection, and donated it to the chapel at the ...
During the French occupation of Seville in the Peninsula War, the cathedral treasury was sacked by troops under Nicolas Jean-de-Dieu Soult. Murillo's Immaculate Conception and Birth of the Virgin were taken and Vision was almost also taken, but the town council proposed exchanging it for Nativity of the Virgin and so it remained in the chapel. [1]
Additionally, Murillo had been introduced to the works of Van Dyck and Rubens by Francisco Herrera the Younger, who was sub-director of the Seville Academy under Murillo. [4] The influence of these painters is visible in the delicate and airy coloration of the piece. The work is dated between 1660 and 1665.
Santa Cruz is bordered by the Jardines de Murillo, the Real Alcázar, Calle Mateos Gago, and Calle Santa María La Blanca/San José. The neighbourhood is the location of many of Seville's oldest churches and is home to the Cathedral of Seville, including the converted minaret of the old Moorish mosque Giralda.
This is one of the most important works in the artistic production of Murillo, who based himself on models of daily life in Andalusia to create the painting. Apart from the presence of angels and the halo of the Virgin, there is no other clue showing that this is a painting with a religious theme.
In 1633, at 15, Murillo received a license for passage to America with his family. [6] He probably began his artistic career, either during those years or slightly beforehand. Murillo began his art studies in Seville in the workshop of Juan del Castillo, Murillo's uncle and godfather, as well a skilled painter in his own right. [3]
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