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Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis. The principal difference with sample-based synthesis is that the seed waveforms are sampled sounds or instruments instead of fundamental waveforms such as sine and saw waves used in other types of synthesis. [1]
A synthesizer (also synthesiser [1] or synth) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis , additive synthesis and frequency modulation synthesis .
Sounds could now have three components: An attack, a body made from a subtractive synth sound (saw or pulse wave through a filter) and an "embellishment" of one of many looped samples. (The looped samples also contained a collection of totally synthetic waves derived from additive synthesis, as well as sequences of inharmonic wave cycles.
Hoover sound refers to a particular synthesizer sound in electronic music, commonly used in rave techno, hardcore techno, gabber, breakbeat hardcore, trance, hard house and hard NRG. Originally called the "Mentasm" , the name that stuck was the one likening the sound to that of a vacuum cleaner (often referred to via the genericized trademark ...
Ryrie was frustrated by the limited number of sounds that the synthesizer could make. [8] After his classmate, Peter Vogel, graduated from high school and had a brief stint at university in 1975, Ryrie asked Vogel whether he would be interested in making "the world's greatest synthesizer" based on the recently announced microprocessor. He ...
Orchestra hit is defined in the General MIDI sound set. [19] It is assigned voice 56, in the ensemble sub group. The Fairlight CMI synthesizer included a sampled orchestra hit voice, which was later included in many sample libraries. [12] The voice was given the name ORCH5, and was possibly the first famous orchestra hit sample. [20]
Frequency modulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The (instantaneous) frequency of an oscillator is altered in accordance with the amplitude of a modulating signal.
Table-lookup synthesis [12] (or Wavetable-lookup synthesis [13]) is a class of sound synthesis methods using the waveform tables by table-lookup, called "table-lookup oscillator" technique. The length of waveforms or samples may be varied by each sound synthesis method, from a single-cycle up to several minutes.
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