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The song was written by Jerry Leiber and Mike Stoller, [8] originally for rock and roll vocal group The Coasters. [10] The band recorded it in the same recording session as "Little Egypt", another song Elvis would later release. [11] [12] Neither songs did much for the band's popularity, [12] only reaching number 96 on the Billboard Hot 100. [10]
It should only contain pages that are The Coasters songs or lists of The Coasters songs, as well as subcategories containing those things (themselves set categories). Topics about The Coasters songs in general should be placed in relevant topic categories .
Arguably one of the best decades of music, the 1970s saw the rise of disco, long shaggy hair, the continuation of the free love movement, and, of course, Rock and Roll at its height of fame ...
This song was earlier recorded by fellow Coaster Billy Guy on Double-L Records in 1963. Throughout the 1960s and 1970s, Nunn had his own group of Coasters called "The Coasters Mark II" with members Grady Chapman , Bobby Sheen , and Billy Richards Jr. (who is nephew to Billy Richards). [ 4 ]
In 1971, the Coasters had a minor chart entry with "Love Potion No. 9", a song that Leiber and Stoller had written for the Coasters, but instead gave to the Clovers in 1959. In Britain, a 1994 Volkswagen TV advertisement used the group's "Sorry But I'm Gonna Have to Pass", which led to a minor chart placement in that country.
"Charlie Brown" is a popular Jerry Leiber and Mike Stoller song that was a top-ten hit for the Coasters [2] in the spring of 1959 (released in January, coupled with "Three Cool Cats", Atco 6132). [3] It went to No. 2 on the Billboard Hot 100 singles chart, while "Venus" by Frankie Avalon was at No. 1. [4] It did reach No. 1 in Canada. [5]
The 1970s was an era that produced some of the greatest live albums in history. In the previous decade, artists and producers took great pains to make studio albums sound as spotless and pristine ...
Musically, the song follows a minor blues structure, built mostly around three chords (i7, iv7, V7) except for the bridge (IV, VI, III, V). The lyrical theme is one typical of early rock and roll: boy meets girl, then meets girl's father, who does not approve of boy; so the boy departs, but cannot stop thinking about the girl, declaring "You're the one, you're the one, you're the one."