Search results
Results from the WOW.Com Content Network
The four kingdoms: In Daniel 2 Nebuchadnezzar dreams of a giant statue of four metals identified as symbolising kingdoms, and in Daniel 7 Daniel sees a vision of four beasts from the sea, again identified as kingdoms. In Daniel 8, in keeping with the theme by which kings and kingdoms are symbolised by "horns", Daniel sees a goat with a single ...
Four beasts come out of the sea, an angelic guide interprets the beasts as kingdoms and kings, the last of whom will make war on the "holy ones" of God, but he will be destroyed and the "holy ones" will be given eternal dominion. The historicist views of Daniel concern prophecies about the forces of evil viewed to have occurred as the four ...
Daniel 7 (the seventh chapter of the Book of Daniel) tells of Daniel's vision of four world-kingdoms replaced by the kingdom of the saints or "holy ones" of the Most High, which will endure for ever. Four beasts come out of the sea, the Ancient of Days sits in judgment over them, and "one like a son of man " is given eternal kingship.
Daniel 8 is an interpretation of the author's own time, 167–164 BCE, with a claim that God will bring to an end the oppression of the Jewish people. [19] It begins with the conquest of the Achaemenid Empire , touches on the rise of the four Greek successor kingdoms, and then focuses on the career of Antiochus IV Epiphanes , who took the ...
Only Daniel is able to interpret it: the dream signifies four kingdoms, of which Babylon is the first, but God will destroy them and replace them with his own kingdom. Nebuchadnezzar dreams of a great tree that shelters all the world and of a heavenly figure who decrees that the tree will be destroyed; again, only Daniel can interpret the dream ...
Daniel 2 (the second chapter of the Book of Daniel) tells how Daniel related and interpreted a dream of Nebuchadnezzar II, king of Babylon.In his night dream, the king saw a gigantic statue made of four metals, from its head of gold to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
Daniel 3 forms part of a chiasmus (a poetic structure in which the main point or message of a passage is placed in the centre and framed by further repetitions on either side) within Daniel 2–7, paired with Daniel 6, the story of Daniel in the lions' den: [9] A. (2:4b-49) – A dream of four kingdoms replaced by a fifth
C'. (chapter 5) – Daniel interprets the handwriting on the wall for Belshazzar; B'. (chapter 6) – Daniel in the lions' den; A'. (chapter 7) – A vision of four world kingdoms replaced by a fifth; Daniel 5 is thus composed as a companion-piece to Daniel 4, the tale of the madness of Nebuchadnezzar, the two giving variations on a single theme.