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The International Standard Recording Code (ISRC) is an international standard code for uniquely identifying sound recordings and music video recordings.The code was developed by the recording industry in conjunction with the ISO technical committee 46, subcommittee 9 (TC 46/SC 9), which codified the standard as ISO 3901 in 1986, and updated it in 2001.
The Global Release Identifier (GRid) is a system to identify releases of digital sound recordings (and other digital data) for electronic distribution.It is designed to be integrated with identification systems deployed by key stakeholders from across the music industry.
A 13-digit ISMN, 979-0-2600-0043-8, as represented by an EAN-13 bar code. The International Standard Music Number or ISMN (ISO 10957) is a thirteen-character alphanumeric identifier for printed music developed by ISO.
Kevin MacLeod was born in Green Bay, Wisconsin in 1972. [2] He began piano lessons at a young age: "as a 4-year old or whatever it was". [3] He attended the University of Wisconsin–Green Bay (UWGB) [citation needed] where he initially studied electrical engineering; however, amid a distaste for chemistry requirements, he switched to music education after his first month.
Sound Credit is a music credits platform with computer software applications for Windows, macOS, iOS, and Android. It includes the Sound Credit Publisher cross-platform desktop application, the Tracker cross-platform digital audio workstation (DAW) plug-in, physical kiosks, smart card check-in system, and online database.
names of all composers, arrangers and authors, with their role in the piece (identified by role code) and their CAE/IPI number; work classification code (CIS) identification of other works it is a derivative of; Note: an ISWC identifies works, not recordings. ISRC can be used to identify recordings. Nor does it identify individual publications ...
Labelcode was created by GVL on May 1, 1976, and introduced by IFPI in 1977 in order to unmistakably identify the different record labels. [6] The number of countries using the Labelcode is limited (it is mostly used in Germany), and the code given on the item is not always accurate to the label on which the album or single was actually released. [7]
On March 18, 2007, Lydia began her online search for the song on a Usenet group, but later migrated to websites with song identification tools. She posted a 1:15 excerpt of the song to best-of-80s.de (a German forum devoted to eighties synth-pop ) and to The Spirit of Radio (a fan site dedicated to Canadian radio station CFNY-FM ).