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This is a list of translations of Beowulf, one of the best-known Old English heroic epic poems. Beowulf has been translated many times in verse and in prose. By 2020, the Beowulf's Afterlives Bibliographic Database listed some 688 translations and other versions of the poem, from Thorkelin's 1787 transcription of the text, and in at least 38 languages.
The digressions can be divided into four groups, namely the Scyld narrative at the start; [40] many descriptions of the Geats, including the Swedish–Geatish wars, [41] the "Lay of the Last Survivor" [42] in the style of another Old English poem, "The Wanderer", and Beowulf's dealings with the Geats such as his verbal contest with Unferth and ...
The commentary, occupying over 200 pages, provides a detailed picture of how he saw Beowulf, sometimes taking several pages for a short passage of the poem, and giving his interpretation of difficult words or allusions by the poet. The commentary formed the basis of Tolkien's acclaimed 1936 lecture "Beowulf: The Monsters and the Critics". [1] [2]
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Remounted page from Beowulf, British Library Cotton Vitellius A.XV, 133r First page of Beowulf, contained in the damaged Nowell Codex (132r). The Nowell Codex is the second of two manuscripts comprising the bound volume Cotton MS Vitellius A XV, one of the four major Old English poetic manuscripts.
Thus, Tolkien explains, the poet uses beorn and freca to mean "warrior" or "man", this last a usage already then restricted to heroic poetry; at the time, beorn was a variant of the word for bear, just as freca was another word for wolf, and the audience expected and enjoyed hearing such words in the special circumstance of a performance by a ...
Ælfhere – a kinsman of Wiglaf and Beowulf. Æschere – Hroðgar's closest counselor and comrade, killed by Grendel's mother. Banstan – the father of Breca. Beow or Beowulf – an early Danish king and the son of Scyld, but not the same character as the hero of the poem; Beowulf – son of Ecgtheow, and the eponymous hero of the Anglo ...
1984: Beowulf: adapted for live performance by the founding members of Theatre in the Ground. [33] 1990s Beowulf one-man shows in modern English by Julian Glover [34] 1993. Beowulf, op. 17, chamber opera (or dramatic cantata) in one act for a chorus of young voices, light soprano, light tenor and baritone soli, by Richard Lambert. [35]