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The following year, Del Rey announced that she had recorded an entire cover album of country music songs, inspired by her singles "Ride" (2012) and "Video Games" (2011); she elaborated: "I went back and listened to 'Ride' and 'Video Games' and thought, you know they're kind of country. Maybe the way 'Video Games' got remastered, they're pop ...
[43] In a review for NME, Rhian Daly's pointed out that Del Rey "steps into new lyrical territory" in the album, as well as "new sonic worlds", cementing Del Rey as one of modern music's "most intriguing" songwriters. [44] Pitchfork ' s Olivia Horn named the album "Best New Music". The site also called it a "sweeping, sterling, often ...
"Candy Necklace" is a song by American singer and songwriter Lana Del Rey featuring American singer and songwriter Jon Batiste from her ninth studio album, Did You Know That There's a Tunnel Under Ocean Blvd (2023). [1] It was released as a limited-edition picture disc on October 6, 2023. [2]
The album was recorded under the working title Bird World in its earlier stages of development. [2] [3] In September 2018, Del Rey premiered the album's second single, "Venice Bitch", in Zane Lowe's Beats 1 show, and joined for an interview where she confirmed that the album's title and its title track would be Norman Fucking Rockwell!.
Del Rey's fourth studio album, Honeymoon (2015), peaked atop the albums chart of Australia and spawned two singles: "High by the Beach" and "Music to Watch Boys To". [8] Her fifth studio album, Lust for Life, was released in 2017. It was Del Rey's second Billboard 200 number-one album, [26] and peaked atop albums charts in Australia, Canada ...
Chemtrails over the Country Club is the seventh studio album by American singer-songwriter Lana Del Rey. It was released on March 19, 2021, by Interscope and Polydor Records. Del Rey enlisted producer Jack Antonoff as her co-producer for the majority of the album, after working with him on her previous studio album, Norman Fucking Rockwell!
Kitty Power of The Guardian cited "Cinnamon Girl" as a standout track compared to the rest of the record, due to its production being different than the rest of the album: "[the record] exists in some timeless, catgut-strewn place where 3am bar pianos and washes of keyboards serve as the tear-stained mat under Del Rey’s glass slipper of a ...
In an article for the Los Angeles Times, Christi Carras described the song as a "languid new ballad" and music video as "love letters to Arcadia and Los Angeles". [1] Writing for Spin , Sarah Grant called the single "elegant and elegiac", with Del Rey's vocals "liberated, clear-eyed, and mournful" as she "sings her origin story with an innocence".