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The Great God Pan is an 1894 horror and fantasy novella by Welsh writer Arthur Machen. Machen was inspired to write The Great God Pan by his experiences at the ruins of a pagan temple in Wales. What would become the first chapter of the novella was published in the newspaper The Whirlwind in 1890
The Great God Pan, The Three Impostors, "The White People," The Hill of Dreams Signature Arthur Machen ( / ˈ m æ k ən / or / ˈ m æ x ən / ; 3 March 1863 – 15 December 1947) [ 1 ] was the pen-name of Arthur Llewellyn Jones , a Welsh author and mystic of the late 19th and early 20th centuries.
The Great God Pan, front and back, in 1902. The sculpture depicts the Greek god Pan, a half-man, half-goat deity associated with pastoral living, rustic music, and carnality. Barnard's Pan is mature and strongly muscled, with a long tangled beard, the ears and cloven hooves of a goat, but no horns or tail.
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Justinus Primitive produced the Pan-inspired album Praise Pan, Great God Pan, and the songs "On Becoming Water", "Praise Pan, Great God Pan", and "Transformation Mantra". In "Joueur de flute" by Albert Roussel, one of the four movements is named after Pan. "Dryades et Pan" is the last of three Myths for violin and piano, Op. 30, by Karol ...
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A fact from The Great God Pan appeared on Wikipedia's Main Page in the Did you know column on 4 September 2018 (check views).The text of the entry was as follows: Did you know... that Arthur Machen's novella The Great God Pan has influenced such writers as H. P. Lovecraft, Peter Straub, and Stephen King?
Sculptures depicting the Greek god Pan, the god of the wild, shepherds and flocks, rustic music and impromptus, and companion of the nymphs. His Roman counterparts are Faunus and Silvanus . Pages in category "Sculptures of Pan (god)"