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John Anthony Ciardi (/ ˈ tʃ ɑːr d i / CHAR-dee; Italian:; June 24, 1916 – March 30, 1986) was an American poet, translator, and etymologist.While primarily known as a poet and translator of Dante's Divine Comedy, he also wrote several volumes of children's poetry, pursued etymology, contributed to the Saturday Review as a columnist and long-time poetry editor, directed the Bread Loaf ...
It was originally written as a poem by Marvin H. Mimms while he was a student at Texas A&M. [1] Richard J. Dunn, the director of the Fightin' Texas Aggie Band at the time, composed the music. Students, faculty, and former students of the A&M sing the song at Aggie sporting events, Muster, and other events.
As the Chan monk Juefan Huihong (1071–1128) wrote, “The subtleties of the mind cannot be transmitted in words, but can be seen in words.” In Chan poetry, images as simple as the moon, clouds, boats, reflections in water, plum and lotus, bamboo and pine took on complex connotations based in Chan ideas, famous verbal exchanges, and Chan and ...
Omnipotence, they say, does not mean that God can do anything at all but, rather, that he can do anything that is logically possible; he cannot, for instance, make a square circle. Likewise, God cannot make a being greater than himself, because he is, by definition, the greatest possible being. God is limited in his actions to his nature.
If the word great means anything in poetry, this poem is one of the greatest in the English language; it is flawless to the last detail. The rhythm charges with movement the pattern of suspended action back of the poem. Every image is precise and, moreover, not merely beautiful, but inextricably fused with the central idea.
The poem uses the image of a flowering plant - specifically that of a chasmophyte rooted in the wall of the wishing well - as a source of inspiration for mystical/metaphysical speculation [1] and is one of multiple poems where Tennyson touches upon the topic of the relationships between God, nature, and human life. [2]
They are often practiced by taking each of the immeasurables in turn and applying it to oneself (a practice taught by many contemporary teachers and monastics that was established after the Pāli Suttas were completed), and then to others nearby, and so on to everybody in the world, and everybody in all universes.
Folio 129r of the early eleventh-century Oxford, Bodleian Library, MS Hatton 43, showing a page of Bede's Latin text, with Cædmon's Hymn added in the lower margin. Cædmon's Hymn is a short Old English poem attributed to Cædmon, a supposedly illiterate and unmusical cow-herder who was, according to the Northumbrian monk Bede (d. 735), miraculously empowered to sing in honour of God the Creator.