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The exhibition catalog included detailed discussions of 85 paintings from various collection holders, that together give an overview of four basic aspects of daily life in 17th-century portraits of children and families from the Low Countries: family values, educating children, children at play, and children's fashions. [3]
The Cholmondeley Ladies (pronounced / ˈ tʃ ʌ m l i / CHUM-lee) is an early-17th-century English oil painting depicting two women seated upright and side by side in bed, each holding a baby. Measuring 88.6 by 172.3 centimetres (34.9 in × 67.8 in), it was painted on four joined panels of oak, probably in the first decade of the 17th century ...
S. The Sacrifice of Polyxena (Giovanni Francesco Romanelli) Saint Bernard and the Virgin (Cano) Saint Catherine (Palladas) Saint Francis (Strozzi) Saint Francis of Assisi, Saint Francis de Paul, and Saint Peter penitent
Allegorical Painting of Two Ladies. Allegorical Painting of Two Ladies, English School is a 17th-century allegorical painting by an unknown artist, and dated from the 1650s. For its period, the painting is considered unusual in its depiction of a black woman and a white woman sitting side by side. [1]
The Le Nain brothers, Antoine Le Nain (c.1600–1648), Louis Le Nain (c.1603–1648), and Mathieu Le Nain (1607–1677) produced genre works, portraits and portrait miniatures in 17th-century France. Because of the similarity of their styles of painting and the fact that they signed their paintings only with their surnames they are commonly ...
On "Mr. Toad's Wild Ride" in Disneyland California, before exiting your car, you can spot a painting of Toad posing while dressed all in blue and holding a feathered hat. This is a Toad-themed reproduction of Gainsborough's oil painting The Blue Boy. [19] The Blue Boy painting is a heavily-used prop in the 1929 Laurel and Hardy comedy Wrong Again.
Also known as The Lice-Ridden Boy due to the figure of a young boy delousing himself in the painting, The Young Beggar is the first known depiction of a street urchin by Murillo. [1] It was influenced by the poverty of Spanish children in the 17th century and followed the style of Michelangelo Merisi da Caravaggio. [2]
The painting consists of a gathering of family members (parents, children, grandparents) around a table that is draped with a carpet typical of Dutch scenes. [4] Though the subject has been painted by Steen an estimated thirteen times, each one was depicted in a household setting as the theme for child rearing and parental interaction. [ 1 ]
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