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Roy Fox Lichtenstein [2] (/ ˈ l ɪ k t ən ˌ s t aɪ n /; October 27, 1923 – September 29, 1997) was an American pop artist.He rose to prominence in the 1960s through pieces which were inspired by popular advertising and the comic book style.
In the work, Lichtenstein presents a wholesome male protagonist heading to an important meeting with a "Mr. Bellamy", who shared a name with one of Lichtenstein's important art world contacts, Richard "Dick" Bellamy, Green Gallery art dealer and director, who was known for presenting new work by unknown artists who had never been shown before.
Look Mickey (also known as Look Mickey!) is a 1961 oil on canvas painting by Roy Lichtenstein.Widely regarded as the bridge between his abstract expressionism and pop art works, it is notable for its ironic humor and aesthetic value as well as being the first example of the artist's employment of Ben-Day dots, speech balloons and comic imagery as a source for a painting.
Whaam! is a 1963 diptych painting by the American artist Roy Lichtenstein. It is one of the best-known works of pop art, and among Lichtenstein's most important paintings. [1] Whaam! was first exhibited at the Leo Castelli Gallery in New York City in 1963, and purchased by the Tate Gallery, London, in 1966.
Drowning Girl (also known as Secret Hearts or I Don't Care!I'd Rather Sink) is a 1963 American painting in oil and synthetic polymer paint on canvas by Roy Lichtenstein, based on original art by Tony Abruzzo.
Works by Roy Lichtenstein — an American pop artist. Subcategories. This category has the following 2 subcategories, out of 2 total. P. Paintings by Roy Lichtenstein ...
The work incorporates several other Lichtenstein works and gets its name from the large portion of Lichtenstein's Look Mickey that is included. Lichtenstein used a much more realistic representation of his own works than is standard for most artists. Elements of the work also refer to works from both Fernand Léger and Matisse.
The 1964 enamel has been held at the Milwaukee Art Museum since 1965, and is considered to be one of Roy Lichtenstein's earliest attempts at producing enamel-on-steel works from the same type of comic book imagery he had begun producing as conventional hand-painted canvases. [19]
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