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It is possible that the name of the ragam was originally Harapriya but it was changed to conform to the Katapayadi formula. Kharaharapriya has a distinct melody and brings out the Karuna rasam, invoking pathos in the listeners. The Kafi thaat of Hindustani music is the equivalent of Kharaharapriya. [1] [2] Its Western equivalent is the Dorian mode.
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
The Srimpi (Javanese: ꦱꦿꦶꦩ꧀ꦥꦶ, romanized: Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta.
[1] It is a vivadi rāgam. It is the 4th in the list of 5 Ghana rāgams (Nata (raga), Gaula, Arabhi and Shree ragam being the others). [2] In olden times, this rāgam was called Varati, [2] and is said to be more than 1300 years old. [3] It is with this name that it is referred in old musical texts like Sangita Makarandha and Sangita Ratnakara. [3]
Nattakurinji is a raga (musical scale) in Carnatic music.It is an audava janya raga of 28th Melakarta raga Harikambhoji.This raga is good to sing in evenings. [1] It is used rarely in Hindustani, but is very popular in Carnatic music.
Piring dance (Minangkabau: Piriang; Jawi: تاري ڤيريڠ) is a traditional Minangkabau plate dance originated and performed in West Sumatra, Indonesia.It is also performed in Negeri Sembilan, Malaysia.
Bajidor Kahot (from Sundanese ᮘᮏᮤᮓᮧᮁ ᮊᮠᮧᮒ᮪) is a Sundanese dance from Indonesia which combines the dance movements of Ketuk Tilu and Jaipongan as the basis of its motions. [1] What distinguishes them from the two, Bajidor Kahot dance does not optimize shoulder movement as the Jaipongan and Tap Tilu do. In the dance, hips ...
Mak Inang (Jawi: مق عناڠ) is a traditional Malay dance that originated from the time of Malacca Sultanate.The dance is accompanied by a unique music which is believed to have been composed by the order of Sultan Mahmud Shah of Malacca.