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The Srimpi (Javanese: ꦱꦿꦶꦩ꧀ꦥꦶ, romanized: Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta.
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
The journal Asian Ethnography published a review by Karen G. Ruffle which laments the lack of a concluding essay, but praises the book for providing "compelling material, ritual, and documentary evidence of how the Muharram ritual complex has taken “on new shapes and guises” outside of South Asia and has become an integral part of non-Shi ...
1 Muharram August 31, 2019 Islamic New Year: 1-10 Muharram August 31-September 9, 2019 Bibi-Ka-Alam: event held in Hyderabad, India: 2 Muharram September 1, 2019 Shia day of Mourning: Arrival of Imam Hussain in Karbalā, 61 A.H. 3 Muharram September 2, 2019 Shia day of Mourning: Water supply to Imam Husain & his companions was stopped in Karbalā
Kecak (Balinese: ᬓᬾᬘᬓ᭄, romanized: kécak, pronounced "kechak"), alternate spellings: kechak and ketjak), known in Indonesian as tari kecak, is a form of Balinese Hindu dance and music drama that was developed in the 1930s. Since its creation, it has been performed primarily by men, with the first women's kecak group having started in ...
Kancet Papatai is a traditional Indonesian war dance about a war hero (or Dayak Kenyah) and his struggle against the enemy. [1] The dance also describes his courage and the ceremony awarding him the title Ajai for his victory. [2] The dance movements are very agile, nimble, and energetic, and sometimes followed by cries of the dancers. [3]
Colossal Yapong dance Hundreds of dancers demonstrate the yapong dance. The pattern in the clothes worn by the dancers is a development of the Betawi mask dancer clothes. This can be seen clearly from the shape and decoration of the headgear and the sash worn on the chest, which is called the toka-toka.
It is possible that the name of the ragam was originally Harapriya but it was changed to conform to the Katapayadi formula. Kharaharapriya has a distinct melody and brings out the Karuna rasam, invoking pathos in the listeners. The Kafi thaat of Hindustani music is the equivalent of Kharaharapriya. [1] [2] Its Western equivalent is the Dorian mode.