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Dacian women wearing scarves similar to the contemporary headkerchief. Artistic renditions of Dacian (2nd century BC) and Romanian (19th century) peasant dress Given the weight (900-1,100 g) and size, the handmade gold bracelets were most likely worn by Dacian men, members of the upper class.
A kosovorotka (Russian: косоворо́тка, IPA: [kəsəvɐˈrotkə]), also known in the West as a Russian peasant shirt or Tolstoy shirt (tolstovka). The name comes from the Russian phrase kosoy vorot (косой ворот), meaning a “skewed collar”. It was worn by all peasants in Russia — men, women, and babies — in different ...
By 1800, dress styles were similar among many Western Europeans; local variation became first a sign of provincial culture and later a mark of the conservative peasant. [ 43 ] [ 44 ] Thus the spread of French fashions increased the contrast between the fashionable clothes of the wealthier classes and folk costumes, which were increasingly ...
Dress in Holland, Belgium, and Flanders, now part of the Empire, retained a high, belted waistline longest. Italian gowns were fitted to the waist, with full skirts below. The French gown of the first part of the century was loosely fitted to the body and flared from the hips, with a train .
Polleras are a form of Spanish colonial dress enforced sometime between the sixteenth and seventeenth centuries on indigenous populations in the Andes by hacienda owners or hacendados. Traditional polleras come from peasant dress from southern Spanish regions like Andalusia. Today, polleras are associated with indigenous and folkloric forms of ...
A peasant girl wearing a sarafan (1909), by Sergey Prokudin-Gorsky. A sarafan (Russian: сарафа́н, IPA: [sərɐˈfan], from Persian: سراپا sarāpā, literally "[from] head to feet") [1] is a long, trapezoidal Russian jumper dress (pinafore dress) worn by girls and women and forming part of Russian traditional folk costume.
Her blue dress is "kirtled" or shortened by poufing it over a belt, c. 1460. Woman wears a simple headdress of draped linen and a red houppelande trimmed with white fur. Note that the sleeve is only attached to the dress at the top, 1467–1471. Maria Portinari wears a truncated cone hennin with a veil draped over the back. The black loop on ...
A woodblock print by Yōshū Chikanobu showing Japanese women in Western-style clothes, hats, and shoes (yōfuku)Japanese clothing during the Meiji period (1867–1912) saw a marked change from the preceding Edo period (1603–1867), following the final years of the Tokugawa shogunate between 1853 and 1867, the Convention of Kanagawa in 1854 – which, led by Matthew C. Perry, forcibly opened ...
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