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A monstrance, also known as an ostensorium (or an ostensory), [1] is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic Sacramental bread (host) during Eucharistic adoration or during the Benediction of the Blessed Sacrament.
At the beginning of the exposition of the Blessed Sacrament, a priest or deacon removes the sacred host from the tabernacle and places it in the monstrance on the altar for adoration by the faithful. A monstrance is the vessel used to display the consecrated Eucharistic Host, during Eucharistic adoration or benediction.
Cardinal Godfried Danneels vested in a humeral veil, holding a monstrance containing the Blessed Sacrament Benediction at a Carmelite friary in Ghent, Belgium. Benediction of the Blessed Sacrament, also called Benediction with the Blessed Sacrament or the Rite of Eucharistic Exposition and Benediction, is a devotional ceremony, celebrated especially in the Roman Catholic Church, but also in ...
The Feast of Corpus Christi (Ecclesiastical Latin: Dies Sanctissimi Corporis et Sanguinis Domini Iesu Christi, lit. 'Day of the Most Holy Body and Blood of Jesus Christ the Lord'), also known as the Solemnity of the Most Holy Body and Blood of Christ, [2] is a liturgical solemnity celebrating the real presence of Christ in the Eucharist; the feast is observed by the Latin Church, in addition ...
As an example, Zurbitu explained the symbolism of a monstrance that Granda designed for Nocturnal Adoration in Madrid. Figures of the Four and Twenty Elders who worship the Lamb in St. John's Apocalypse are placed around the base, separated into three groups; eight kneel, eight bow profoundly, and eight lift bowls of smoking incense according ...
ReligionFacts.com: Christian Symbols Basic Christian symbols A to T, types of crosses, number symbolism and color symbolism. Color Symbolism in The Bible An in depth study on symbolic color occurrence in The Bible. Christian Symbol Wood Carvings Forty symbols at Kansas Wesleyan University; Old Christian Symbols from book by Rudolf Koch
The Disputation of the Sacrament (Italian: La disputa del sacramento), or Disputa, is a painting by the Italian Renaissance artist Raphael.It was painted between 1509 and 1510 [1] as the first part of Raphael's commission to decorate with frescoes the rooms that are now known as the Stanze di Raffaello, in the Apostolic Palace in the Vatican.
When priests or deacons bless the people with the monstrance, they cover their hands with the ends of the veil so that their hands do not touch the monstrance as a mark of respect for the sacred vessel and as an indication that it is Jesus present in the Eucharistic species who blesses the people and not the minister.
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