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An exploitation film is a film that tries to succeed financially by exploiting current trends, niche genres, or lurid content. Exploitation films are generally low-quality "B movies", [1] though some set trends, attract critical attention, become historically important, and even gain a cult following. [2]
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Theatrical release poster for the 1969 Argentine film Éxtasis tropical, starring Isabel Sarli, one of the biggest stars of the sexploitation genre. [1] [2]A sexploitation film (or sex-exploitation film) is a class of independently produced, low-budget [3] feature film that is generally associated with the 1960s [4] and early 1970s, and that serves largely as a vehicle for the exhibition of ...
This film, directed by Claude Mulot, was the first exclusive hardcore feature film produced and released in France to meet international success, and has been called a cult film. [114] The film was theatrically released in France in November 1975 (at the end of the period of Giscardian liberation, a month before introducing Classification X in
In 2018, the film Sex Madness Revealed was released by Kino Lorber. Sex Madness Revealed features an audio commentary track over the original film, which features comedian Patton Oswalt and magician/actor Rob Zabrecky telling a fictitious history of the film. Sex Madness Revealed premiered at the Overlook Film Festival in April 2018.
The Bees (film) Beneath the Valley of the Ultra-Vixens; La Bestia in calore; Beyond the Darkness (film) Big Bad Mama; The Big Bird Cage; The Big Bust Out; The Big Doll House; The Bird with the Crystal Plumage; Black Belly of the Tarantula; Black Christmas (1974 film) Black Cobra Woman; The Black Gestapo; Blackenstein; Blind Rage (film) Blindman ...
The documentary explores exploitation films made in the Philippines in the 1970s and 1980s [3] with interviews for the documentary include Allan Arkush, Judy Brown, Colleen Camp, Roger Corman, Joe Dante, Pam Grier, Jack Hill, John Landis, Danny Peary, Eddie Romero, Cirio H. Santiago, and Brian Trenchard-Smith. [4]