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Sometimes the meaning of an allegory can be lost, even if art historians suspect that the artwork is an allegory of some kind. [21] Allegory has an ability to freeze the temporality of a story, while infusing it with a spiritual context. Medieval thinking accepted allegory as having a reality underlying any rhetorical or fictional uses. The ...
analogy A comparison between two things that are otherwise unlike. [20] [21] anapest A version of the foot in poetry in which the first two syllables of a line are unstressed, followed by a stressed syllable; e.g. intercept (the syllables in and ter are unstressed and followed by cept, which is stressed). [22] anaphora anastrophe anecdote
An extended metaphor, also known as a conceit or sustained metaphor, is the use of a single metaphor or analogy at length in a work of literature. It differs from a mere metaphor in its length, and in having more than one single point of contact between the object described (the so-called tenor) and the comparison used to describe it (the vehicle).
According to Freud's work (1900), condensation and displacement (from German Verdichtung and Verschiebung) are two closely linked concepts. [10] In the unconscious, through the dynamic movement of cathexis (charge of libido, mental or emotional energy), it is possible that an idea (image, memory, or thought) passes on its whole charge to another idea; Freud called this process "displacement."
A parable is a succinct, didactic story, in prose or verse, that illustrates one or more instructive lessons or principles.It differs from a fable in that fables employ animals, plants, inanimate objects, or forces of nature as characters, whereas parables have human characters. [1]
Analogy - A comparison by showing how two seemingly different entities are alike, along with illustrating a larger point due to their commonalities. [ 11 ] [ 12 ] [ 13 ] Emphasis - The use of an expression or term in a narrower and more precise sense than usual to accentuate a certain sense.
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In The Critical Difference (1980), Johnson argues that any model of difference as a polarized difference "between entities (prose and poetry, man and woman, literature and theory, guilt and innocence)" is necessarily founded upon "a repression of differences within entities" (pp. x-xi). In this book, Johnson explores how the unknown and the ...