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In tapestry weaving, weft yarns are typically discontinuous (unlike brocade); the artisan interlaces each coloured weft back and forth in its own small pattern area. It is a plain weft-faced weave having weft threads of different colours worked over portions of the warp to form the design. [2]
This resulted in the "miraculous catch." Within the design, Peter is pictured bowing before Christ as if thanking him for the harvest full bounty that was caught. Raphael's exquisite attention to details are shown in this tapestry in how there is a mirror image of the artwork reflected in the water. There is a great use of foreshortening.
Pedro Pablo Preux (November 17, 1932 – June 16, 2011) was a Mexican tapestry maker of French origin, part of an effort to revive the craft as an art form in Europe under Jean Luçart then introducing and promoting the concept in Mexico in the 1960s and 1970s.
The Story of Abraham is a set of ten Brussels tapestries depicting stories from the life of the biblical prophet Abraham.They appear to have been designed by Bernaert van Orley initially, but completed by Pieter Coecke van Aelst around 1537, both artists who were leading designers for the Brussels workshops.
Mary Farmer (6 August 1940 – 1 February 2021) was a UK-based weaver of tapestries and rugs, she led developments in tapestry in the late 20th century with a number of roles across higher education culminating in Course Director at the Royal College of Art. Her client list included royalty, government departments, major corporations, museum ...
The tapestry was designed by Andrew Crummy, son of Helen Crummy, who had previously designed the Battle of Prestonpans Tapestry and later the Scottish Diaspora Tapestry.It implements an idea of Scottish author Alexander McCall Smith for a grand tapestry to depict episodes from 12,000 years of the history of Scotland, after he had seen the Prestonpans Tapestry.
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