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Swarnalatha (29 April 1973 – 12 September 2010) was an Indian playback singer.She recorded over 10,000 songs in 10 Indian languages including Tamil, Telugu, Malayalam, Kannada, Hindi, Bengali and other languages.
"Tomorrow Never Knows" is a song by the English rock band the Beatles, written primarily by John Lennon and credited to Lennon–McCartney. [10] It was released in August 1966 as the final track on their album Revolver, although it was the first song recorded for the LP.
Pilu or Peelu is a raga of Hindustani classical music. It is mostly used in light-classical forms, like thumris. ... Oru Poiyavadhu Jodi: Hariharan(ver 1), ...
This is a list of cover versions by music artists who have recorded one or more songs written and originally recorded by English rock band The Beatles.Many albums have been created in dedication to the group, including film soundtracks, such as I Am Sam (2001) and Across the Universe (2007) and commemorative albums such as Sgt. Pepper Knew My Father (1988) and This Bird Has Flown (2005).
The basic backing track was recorded at Olympic Sound Studios in Barnes on 6 May 1969. Recording ran from 3 pm to 4 am the next morning. [8] McCartney sang lead and played piano, Lennon played an Epiphone Casino guitar, George Harrison played a Fender Telecaster guitar fed through a Leslie speaker, and Ringo Starr played drums. [9]
Lyrically, the song appears similar to the 1963 song "All I've Got to Do" from the album With the Beatles. [ 4 ] Lennon's handwritten lyrics for "Any Time at All" were sold for £6,000 to an unidentified individual at an auction held at Sotheby's in London, on 8 April 1988.
The Raga Rock project resurrected the "Folkswingers" moniker, which was an artist credit used by World Pacific Records for its themed albums containing instrumental versions of popular songs. The name was first used in 1963 for 12 String Guitar!, [2] an album of folk songs recorded by guitarist Glen Campbell and members of the Dillards. [3]
The group returned to take 3 of "Only a Northern Song" on 20 April, a day when members of the Yellow Submarine production team visited them in the studio. [57] The band started working on the song less than 45 minutes after completing the final mixing on Sgt. Pepper, demonstrating what Lewisohn terms a "tremendous appetite" to continue recording.
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