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René François Ghislain Magritte (French: [ʁəne fʁɑ̃swa ɡilɛ̃ maɡʁit]; 21 November 1898 – 15 August 1967) was a Belgian surrealist artist known for his depictions of familiar objects in unfamiliar, unexpected contexts, which often provoked questions about the nature and boundaries of reality and representation. [1]
The Son of Man (French: Le fils de l'homme) is a 1964 painting by the Belgian surrealist painter René Magritte. It is perhaps his best-known artwork. [1] Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man ...
Time Transfixed (La Durée poignardée) is a 1938 oil on canvas painting by the Belgian surrealist René Magritte. It is part of the permanent collection of the Art Institute of Chicago and is usually on display in the museum's Modern Wing. [1] The painting was one of many done for surrealist patron and Magritte supporter Edward James. This was ...
The Treachery of Images (French: La Trahison des images) is a 1929 painting by Belgian surrealist painter René Magritte.It is also known as This Is Not a Pipe, [2] Ceci n'est pas une pipe [2] and The Wind and the Song. [3]
The Lovers (French: Les Amants (French pronunciation: [lez‿amɑ̃])) is a surrealist painting by René Magritte, made in Paris in 1928. It's the first in a series of four variations, and in the painting two people can be seen kissing passionately with their faces covered in a white cloth hiding their identities.
He held his last one-man show in 2002, and died three years later. Magritte's work became more realistic in its depiction of actual objects, while maintaining the element of juxtaposition, such as in 1951's Personal Values (Les Valeurs Personnelles) [77] and 1954's Empire of Light (L’Empire des lumières). [78]
Magritte lived in a similar suburban environment, and dressed in a similar fashion. The bowler hat was a common feature of much of his work, and appears in paintings such as The Son of Man. Charly Herscovici, who was bequeathed copyright on the artist's works, commented on Golconda: Magritte was fascinated by the seductiveness of images.
The Listening Room (La Chambre d'Écoute, 1952) is an oil on canvas painting by the Belgian surrealist René Magritte which is currently part of the Menil Collection in Houston, Texas. [1] A later version of the painting (also of the same name) was made in 1958 and is held in a private collection. [2]
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