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The scapegoat, as a religious and ritualistic practice and a metaphor for social exclusion, is one of the major preoccupations in Dimitris Lyacos's Poena Damni trilogy. [18] [19] In the first book, Z213: Exit, the narrator sets out on a voyage in the midst of a dystopian landscape that is reminiscent of the desert mentioned in Leviticus (16, 22
Scapegoating is the practice of singling out a person or group for unmerited blame and consequent negative treatment. Scapegoating may be conducted by individuals against individuals (e.g. "he did it, not me!"), individuals against groups (e.g., "I couldn't see anything because of all the tall people"), groups against individuals (e.g., "He was ...
Girard believed that we cannot truly escape this mimetic desire, and that any attempts to do so would simply land you playing the game of mimesis on a different level. A new desire for peace must develop in order for the violence of scapegoating to end. However, the model for this desire must somehow rise above the tendency to scapegoat. [5]
The 1982 reprinting was inspired by the success of a film based on the book, entitled Breaker Morant. George Witton's cousin, Cecily Adams of Castlecrag (a Sydney suburb), owned the copyright for Scapegoats of the Empire following George's death. Cecily was also aware of some additional documentation written by George, which he had always ...
Jews were frequently used as scapegoats and false accusations which stated that they had caused the disease by deliberately poisoning wells were circulated. [5] [6] [7] That is likely because they were less affected than the other people [8] since many Jews chose not to use the common wells which were located in towns and cities. [3]
The book was one of twelve on the longlist for the Jhalak Prize in 2020, which is given to ethnic minority writers in the U.K. [6] Elsa Maishman of The Scotsman reviewed that the book was both an exploration of immigration history, which is particularly critical of perceived hypocrisy of left-wing anti-immigration politics, and a "call to arms ...
For example, Aesop is grotesquely deformed, as was the pharmakos in some traditions; and Aesop was thrown from a cliff, as was the pharmakos in some traditions. Gregory Nagy, in Best of the Achaeans (1979), compared Aesop's pharmakos death to the "worst" of the Achaeans in the Iliad , Thersites .
In the latter work, the book's protagonist also gives a speech about the history of scapegoating with noticeable similarities to Girard's view of the same subject. Coetzee has also frequently cited Girard in his non-fiction essays, on subjects ranging from advertising to the Russian writer Aleksandr Solzhenitsyn. [28]