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One of the totem poles that also function as support poles for the Portland Streetcar's overhead wire.. The four abstract painted aluminum totem poles each measure 30 feet (9.1 m), 1.75 inches (4.4 cm) x 40 inches (100 cm) x 42 inches (110 cm) and cover Portland Streetcar catenary poles (poles supporting trolley wires).
Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Artist Clifton Pugh painted Adam and Eve in the Garden of Eden on a Stobie pole in 1984, but was subsequently asked to "cover up" the genitals on his painting. [13] Since then, various attempts have been made to beautify their appearance through Stobie pole gardens [14] [15] and Stobie pole art projects. [16] [17]
Blue Poles, also known as Number 11, 1952, is an abstract expressionist painting by American artist Jackson Pollock. It was purchased amid controversy by the National Gallery of Australia in 1973 and today remains one of the gallery's major paintings.
[4] [5] This pole is reputedly the world's tallest totem pole, standing at 9.75 metres (32.0 ft); the previous claim to the title was a pole carved by Henry Hunt, Mungo and David Martin standing at Beacon Hill Park in Victoria, depicting the legend of Geeksen, the first man in Kwakwaka'wakw mythology. [2]
Mural is a largely abstract work with the suggestion of several human figures walking, or possibly birds, or letters and numbers, in broad swirls of black and white. It combines influences from artists such as Thomas Hart Benton, Albert Pinkham Ryder and El Greco, and Mexican mural artists such as David Alfaro Siqueiros.
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