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The shamans (angalkuq) were the ones that told the carvers how to make the masks. Yup'ik masks could be small three-inch finger masks or maskettes (or dance fans, in the Lower Yukon Yup'ik dialects tegumiaq sg tegumiak dual tegumiat pl), but also ten-kilo masks hung from the ceiling or carried by several people. These masks are used to bring ...
The tradition of mask-making was popularised by Buddeshwar, who is venerated as the first mask maker of Charida. In Charida, there is also a statue of Buddeshwar. He is said to have created the first male and female masks, known as Kirat and Kiratni, representing forms of Shiva and Parvati. This was a turning point in the history of mask-making ...
Image credits: No-Clock-140 If there’s one thing that rivals looking at adorable animal photos, it’s spending time with them in person. Sonia, a dedicated volunteer at Adoption Chats Sans Abri ...
Mexican mask-folk art refers to the making and use of masks for various traditional dances and ceremony in Mexico. Evidence of mask making in the region extends for thousands of years and was a well-established part of ritual life in the pre-Hispanic territories that are now Mexico well before the Spanish conquest of the Aztec Empire occurred.
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Animals are common subjects in African masks. Animal masks typically embody the spirit of animals, so that the mask-wearer becomes a medium to speak to animals themselves (e.g. to ask wild beasts to stay away from the village); in many cases, nevertheless, an animal is also (sometimes mainly) a symbol of specific virtues.
The masks are worn throughout very long performances and are consequently very light. The nō mask is the supreme achievement of Japanese mask-making. Nō masks represent gods, men, women, madmen and devils, and each category has many sub-divisions. Kyōgen are short farces with their own masks, and accompany the tragic nō plays.